
Mitsuo Yanagimachi first played the NYFF in 1985 with Himatsuri (Fire
Festival), a visionary work capped by a startling murder. Now he’s
back with a radically different kind of film—a brainy, playful Altmanesque
portrait of the psyche of modern Japan. Yanagimachi follows a group of film students
(many played by hot young Japanese TV stars) as they prepare to make a movie
about a seemingly gratuitous murder. As it examines the students’ bickering,
betrayal, and sexual cruelty, the film offers a witty portrait of a younger generation
so steeped in Western culture that its touchstones are film noir, Michel Houllebecq,
and, of course, The Stranger. This brilliantly made film explodes with
cinematic energy, from a sly opening sequence that riffs on The Player to
a powerful finale that reveals depths as dark and mysterious as anything in Camus.
115 min. Japan, 2005. * Director expected to attend.
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