Boxer’s Omen

Mo
Kuei Chih-Hung
Part of

New York Asian Film Festival 2012

June 30 - July 12, 2012

Nothing can match the sheer lunacy of this Shaw Brothers martial arts classic about black magic. You are not prepared for the gut-churning special effects.

DIRECTOR
Kuei Chih-Hung
YEAR
1983
COUNTRY
Hong Kong
RUNTIME
105 minutes
ORIGINAL TITLE
Mo

Shot in the 80’s when Hong Kong’s Shaw Brothers studios were desperately trying to hold onto their market share by bringing in young directors with wild ideas, Boxer’s Omen is unlike anything you have ever seen before. Western horror flicks were huge in the early 80’s, but most Hong Kong horror came with a hearty helping of comic relief. Shaw decided to compete by making their horror laughter-free. Their offices in Malaysia and Singapore had gotten a whiff of Southeast Asian black magic and in 1975, director Ho Meng-hua took folk magic, true-crime stories, and a dose of xenophobia and stirred it into a chunky porridge called Black Magic, involving a buffet of atrocities.

Shaw’s neglected master craftsman, Kuei Chih-hung, had spent the 70’s making movies like Bamboo House of Dolls and Killer Snakes, but in the 80’s he took Ho Meng-hua’s brand of horror and made an unforgettable series of films climaxing with Boxer’s Omen, which is nothing more than a 90-minute freak-out that looks like the last 10 minutes of 2001: A Space Odyssey if you replaced the flashing colors and swirling stars with writhing maggots and bright green pus. And then you made your actors eat it.

Stalwart kung fu lead Philip Ko travels to Thailand after his brother is killed by muscle-bound martial monster, Bolo Yeung (Enter the Dragon) during a kickboxing match. Ko enlists a Buddhist monk to help him get revenge, but finds out that his fate is entangled with the fate of another monk who, in trying to achieve immortality, lost a battle with an evil wizard and now… whatever. Because the main attraction here is the non-stop, ever-escalating black magic that makes up nearly 75% of the running time: armies of animated alligator skulls, squadrons of blood-sucking bat puppets, detachable heads that fly off and attack with their dangling spinal cords, a hurricane of surreal optical effects, bizarre make-up, giant neon-lit sets, outlandish ideas, and non sequitur plot twists that will make your head spin around. We make a lot of crazy claims about a lot of our movies, but Boxer’s Omen delivers. See it on the big screen and you can tell your grandchildren exactly where you were when your mind was blown.

Read More

Announcements

Film at Lincoln Center announces Ava DuVernay’s 14th as the Closing Night selection of the 64th New York Film Festival, making its world premiere at Alice Tully Hall on Friday, October 9, with DuVernay and film participants in attendance.

Videos

On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Miroirs No. 3 director discusses his haunting, beautifully crafted new film.

Post

FLC is partnering with Piper-Heidsieck Champagne for a one-night-only special event featuring an archival 35mm print of Howard Hawks’s classic, Gentlemen Prefer Blondes. Click here to read more about the event. This special fundraiser auction features Marilyn Monroe-themed art, memorabilia, and an exclusive trip to Champagne, France, featuring a behind-the-scenes Piper-Heidsieck experience. 

Make FLC Your Home for Cinema

Member Discount on All Tickets

NYFF Pre-Sale Access

Pre-sale Access to FLC Series and Festivals

Free Tickets

Exclusive Events

Members-only Newsletter

Film at Lincoln Center Logo

Walter Reade Theater + Elinor Bunin Munroe Film Center

165 and 144 W 65th Street

New York, NY 10023


212.875.5825

Be the first to hear exciting news and announcements from FLC, including upcoming programming, special offers, added tickets, and more.