
Elephant
Going Steadi: 40 Years of Steadicam
December 16, 2016 - January 3, 2017
Gus Van Sant’s chilling, Palme d’Or-winning meditation on Columbine and America’s school shooting epidemic is a mysterious, shattering work of art. An NYFF41 selection.
In a typical American high school, typical teenagers—the jock, the arty kid, the misfit—go about a typical autumn day, their small personal dramas and adolescent social rituals captured via endlessly gliding Steadicam shots that impart a hypnotic, vaguely unsettling sense of serenity. Then suddenly, horribly, violence erupts. Hauntingly lensed by ace cinematographer Harris Savides, Gus Van Sant’s chilling, Palme d’Or–winning meditation on Columbine and America’s school shooting epidemic is a mysterious, shattering work of art. An NYFF41 selection.


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Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


