These three, separate film rarities highlight the diversity of representations offered in the Outfest Legacy Project for LGBT Film Preservation, a joint effort of Outfest and UCLA Film & Television Archive to preserve moving image artifacts documenting the lives of lesbian, gay, bisexual and transgender peoples.
An extraordinary bit of ephemera, the proto-scientific documentary Queens at Heart presents four male-to-female transsexuals from New York City in candid discussion with an onscreen interviewer about their lives and identities. Digitally restored to its vivid, original hues from two faded 16mm projection prints, the curious and moving short bursts not only with new color but with human dignity.
The amateur film Mona’s Candle Light is among a relatively small number of films depicting gay people before gay liberation. This film, discovered at a flea market, and depicting patrons of a lesbian bar (in San Francisco circa 1950) represents an exceedingly rare example of queer life on its own turf, and on its own terms. Deceptively simple, and all-too-brief, it depicts onstage performances at the titular bar, identified by a neon sign. Décor, makeup and hairstyles have contributed to the dating of the otherwise unidentified material which, though slight (and almost lost to history) presents rare visible evidence of a subculture rarely seen or acknowledged.
In a time when the topic of gay parenting has assumed a central position in LGBT culture and discourse, and is not unknown in the mainstream, it is remarkable to remember that images of lesbian and gay parents were only recently almost unimaginable. Debra Chasnoff’s and Kim Klausner’s groundbreaking documentary, Choosing Children, broke this barrier with grace and towering authority, presenting portraits of several lesbian mothers who were among the first to make the historic choice to become parents. Interviewed for the most part in their home settings, with their families, the women featured in the film share intimate details about parenting, familial structures and support systems, and about working to build a better future for their kids.
—Shannon Kelly, UCLA Film & Television Archive
Preservation funded by the Andrew J. Kuehn, Jr. Foundation, with support from The Women’s Film Preservation Fund of New York Women in Film & Television and Outfest.