Two Personal Gifts aka Fool’s Spring (Jerome Hiler & Nathaniel Dorsky, 1966-67, 7m)
Hours for Jerome Part 1 (1966-82, 21m)
Hours for Jerome Part 2 (1966-82, 24m)

Dorsky’s first artistic exchange with Hiler, and his passage into a silent cinema of “open form montage,” followed by a luminous and limpid work in two parts, shot during Dorsky and Hiler’s years in New York and on Lake Owassa in rural New Jersey.