Arguably Philippe Garrel’s masterpiece, I Can No Longer Hear the Guitar is a surpassingly delicate meditation on love, loss and the passage of time. As always, Garrel and his scenarist Marc Cholodenko are working in the realm of poetically refracted autobiography, one level away from psychodrama. The incandescent Johanna Ter Steege is the Nico figure and the late Benoit Régent is the Garrel stand-in, and their scenes together play like instants plucked from the past and preserved in crystalline form, under perfectly captured natural light (thanks to the great Caroline Champetier behind the camera). The guitar that is no longer heard, except in memory, belongs to the Velvet Underground, an echo of yesterday’s dreams. One of the greatest of the ’90s. —Kent Jones, Film Comment
Philippe Garrel's new film Jealousy is screening in the Main Slate at the 51st New York Film Festival.