Je t’aime moi non plus
Jane and Charlotte Forever
January 29 - February 7, 2016
Serge Gainsbourg directed this arthouse-meets-trashploitation wild ride through 1970s America—part queer road movie, part gonzo romance. Warhol Superstar Joe Dallesandro stars as a gay garbage-truck driver who falls (kind of) for Birkin’s whistle-stop waitress.
Serge Gainsbourg directed this arthouse-meets-trashploitation wild ride through 1970s America—part queer road movie, part gonzo romance. Warhol Superstar Joe Dallesandro stars as a gay garbage-truck driver who falls (kind of) for Birkin’s tomboyish whistle-stop waitress. But consummating the new relationship proves… problematic. Gainsbourg displays a striking visual dynamism via the freewheeling, fluid camerawork, while making the most of the infamously racy title track in this sexually delirious ode to America’s heartland, as seen by France’s most outré provocateur. Look out for a surprise appearance from Gérard Depardieu.
Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
