
Solo
Open Roads: New Italian Cinema 2016
June 2 - 8, 2016
In this snappy relationship comedy that plays like a Woody Allen sex farce told from the female point of view, writer-director Laura Morante stars as a timid, middle-aged woman who sets out to reclaim her life.
The multitalented Laura Morante wrote, directed, and stars in this snappy relationship comedy, which plays like a Woody Allen sex farce told from the female point of view. Morante is Flavia, a neurotic middle-aged woman and human doormat, who clings to her two remarried ex-husbands while letting her female friends walk all over her. With the help of her no-nonsense therapist (Piera Degli Esposti), the timid Flavia confronts her fear of being alone and sets out to reclaim her life. Boasting a delightfully deadpan lead performance and bursting with playful stylistic touches—including surreal fantasy sequences and fourth-wall-breaking direct addresses—Solo is a witty, wise, and empowering portrait of a late bloomer coming into her own.




Read More
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.
FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.


