
Stalker
50th Mixtape: Free Double Features
June 27 - September 11, 2019
Experience the mysteries and revelations of Andrei Tarkovsky’s visually extraordinary and philosophically provocative 1979 science-fiction fable in this gorgeous digital restoration.
This screening is now standby only! Pending availability, standby tickets will be given out first-come, first-served starting 20 minutes prior to the screening.
In between the double feature, attendees are invited to a reception in the Furman Gallery sponsored by Radeberger. Must be 21+ to receive complimentary beer.
Experience the mysteries and revelations of Andrei Tarkovsky’s 1979 science-fiction masterpiece, which made box-office history at Film at Lincoln Center following its re-release in 2017. Decades ago, a falling object decimated a provincial Russian town, and those who later went near the crash site—now known as The Zone—disappeared. Access is strictly prohibited, but outsiders can still get in with the help of a “stalker.” Inside The Zone is The Room, within which secret wishes can be granted. Based on the novel Roadside Picnic by Arkady and Boris Strugatsky, Stalker is a visually extraordinary and philosophically provocative fable about the limits of knowledge—personal, scientific, and spiritual. Restored by Mosfilm from a 2K scan of the original negative.
This screening is part of our free weekly double features this summer to celebrate Film at Lincoln Center’s 50th anniversary.
- Registration for a single ticket per person is subject to availability.
- If you register for more than one ticket, only one registration will be honored.
- If you register online, you must arrive at least 20 minutes prior to showtime to claim your seat, at which point tickets may be forfeited in the event of a standby line.
- Online registrants should skip the box office by presenting your Print-at-Home ticket (via print-out or on your mobile device) to the theater usher.
- Please note: walk-ups will still be accepted; tickets to be distributed on a space-available basis.
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