
The Kindergarten Teacher
Nadav Lapid’s follow-up to his explosive debut, Policeman, is a brilliant, shape-shifting provocation in which a fortysomething teacher in Tel Aviv becomes obsessed with one of her charges, a 5-year-old poetry prodigy. A perversely romantic work whose underlying conviction seems to be that in an ugly world, beauty still has the power to drive us mad. A New Directors/New Films selection.
Nadav Lapid’s follow-up to his explosive debut, Policeman, is a brilliant, shape-shifting provocation and a coolly ambiguous film of ideas. Nira (Sarit Larry), a fortysomething wife, mother, and teacher in Tel Aviv, becomes obsessed with one of her charges, Yoav (Avi Shnaidman), a 5-year-old with a knack for declaiming perfectly formed verses on love and loss that would seem far beyond his scope. The impassive prodigy’s inexplicable bursts of poetry—Lapid’s own childhood compositions—awaken in Nira a protective impulse, but as her actions grow more extreme, the question of what exactly she’s protecting remains very much open. The Kindergarten Teacher shares the despair of its heroine, all too aware that she lives in an age and culture that has little use for poetry. But there is something perversely romantic in the film’s underlying conviction: in an ugly world, beauty still has the power to drive us mad. A New Directors/New Films 2015 selection. A Kino Lorber release.
Critics' Pick! A self-assured, remarkably powerful film.
—A.O. Scott, The New York Times
Film of the Week! It’s the convulsiveness of Lapid’s film that makes it beautiful, and beautifully perplexing.
—Jonathan Romney, Film Comment
One of the most fascinating, if inscrutable films of the year.
—Jordan Hoffman, Guardian





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