April (2012, 26m)
Song (2013, 19m)
Spring (2013, 23m)

…and renewal. Mourning followed by reemergence, and a new color stock from Eastman, leading to the limits of the pictorial (April) prompting a more “primordial” turn (Song) which feeds into Spring: “I wanted to bloom into the sensuality of cinema and subject matter as a thirst for light.”