Journey to the Shore
53rd New York Film Festival
September 25 - October 11, 2015
The beauty of Kiyoshi Kurosawa’s adaptation of Kazumi Yumoto’s 2010 novel, about a young widow (Eri Fukatsu) who goes on the road with the ghost of her dead husband (Tadanobu Asano), lies in its flowing sense of life as balance between work and love, existence and nonexistence, you and me.
Based on Kazumi Yumoto’s 2010 novel, Kiyoshi Kurosawa’s latest film begins with a young widow named Mizuki (Eri Fukatsu), who has been emotionally flattened and muted by the disappearance of her husband Yusuke (Tadanobu Asano). One day, from out of the blue or the black, Yusuke’s ghost drops in, more like an exhausted and unexpected guest than a wandering spirit. And then Journey to the Shore becomes a road movie: Mizuki and Yusuke pack their bags, leave Tokyo, and travel by train through parts of Japan that we rarely see in movies, acclimating themselves to their new circumstances and stopping for extended stays with friends and fellow pilgrims that Yusuke has met on his way through the afterworld, some living and some dead. The particular beauty of Journey to the Shore lies in its flowing sense of life as balance between work and love, existence and nonexistence, you and me.
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