DCP

Where To Invade Next

Michael Moore
Part of

53rd New York Film Festival

September 25 - October 11, 2015

In his new film, Michael Moore ponders the current state of the nation from a fresh perspective—that is, from the outside looking in—and gives us a film that is as provocative, funny, and impassioned as the rest of his work.

DIRECTOR
Michael Moore
YEAR
2015
COUNTRY
USA
RUNTIME
110 minutes
LANGUAGE
English, French, Portuguese, Italian, and German with English subtitles
FORMAT
DCP
START DATE
October 2, 2015

Where are we, as Americans? Where are we going as a country? And is it where we want to go, or where we think we have to go? Since Roger & Me in 1989, Michael Moore has been examining these questions and coming up with answers that are several worlds away from the ones we are used to seeing and hearing and reading in mainstream media, or from our elected officials. In his previous films, Moore has taken on one issue at a time, from the hemorrhaging of American jobs to the response to 9/11 to the precariousness of our healthcare system. In his new film, he shifts his focus to the whole shebang and ponders the current state of the nation from a very different perspective: that is, from the outside looking in. Where To Invade Next is provocative, very funny, and impassioned—just like all of Moore’s work. But it’s also pretty surprising.

Moore will be participating in a free Directors Dialogue on October 4.

Read More

Announcements

Running August 12 through August 20, the 16-film festival will premiere new works alongside special presentations of spine-tingling classics and rediscoveries conjured from the dark recesses of midnight-movie lore, with filmmakers and special guests appearing for post-screening Q&As. 

Podcast

This week we’re excited to present a conversation from the 2026 edition of New Directors/New Films with Do You Love Me director Lana Daher.

Videos

On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.