
Karl Marx City
54th New York Film Festival
September 30 - 11, 2016
The filmmaking team of Petra Epperlein and Michael Tucker turn their attention to the former East Germany of Epperlein’s childhood, and specifically to the possibility that her father might have been one of the many thousands of citizens recruited as informers by the Stasi.
$7 rush tickets available at the door on October 14.
Having completed their series of Iraq War–era films (starting with Gunner Palace in 2004 and concluding with 2009’s How to Fold a Flag), the filmmaking team of Petra Epperlein and Michael Tucker turn their attention to the former East Germany of Epperlein’s childhood, and specifically to the possibility that her father might have been one of the many thousands of citizens recruited as informers by the Stasi. Tucker and Epperlein make some bold stylistic choices (such as shooting in crystalline black and white), all of which pay off: the strange state of living under constant surveillance is both recalled and embodied in this uniquely powerful film.



Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


