
L’argent
54th New York Film Festival
September 30 - 11, 2016
Robert Bresson’s final film, the story of a counterfeit bill’s passage from hand to hand and the resulting tragic consequences, burns white hot, not with anger but with a perfect clarity of purpose: to direct us to see that habitual human callousness is what keeps us out of paradise.
Robert Bresson’s final film, an adaptation of Tolstoy’s story The Forged Coupon, is simultaneously bleak and luminous, and sharp enough to cut diamonds. The story of a counterfeit bill’s passage from hand to hand and the resulting tragic consequences is rendered with a clean force that would be startling from a filmmaker of any age; coming from one in his early 80s, it was, and still is, astonishing. L’argent burns white hot—not with anger but with a perfect clarity of purpose: to direct us to see that habitual human callousness is what keeps us out of paradise. Restored by MK2, in 2K from a 4K scan of the original negative. A Janus Films release.






Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


