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Currently On Sale
On Sale: 2009 Archive
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All That Fosse
GS: Clara Bow
Met: Roméo et Juliette
Val Lewton
Spanish Cinema Now
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Accattone in Jazz
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David Fincher
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Rolex Art Weekend
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Beyond Boundaries
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10 Years HK
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For Goodis Sake
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Zeki Demirkubuz
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Latinbeat 07
Latinbeat 07 Sidebar
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Polanski
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Program Overview
The Border
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A Delicate Balance
The Entertainer
Hamlet
Kes
The Knack…
Look Back in Anger
...Long Distance Runner
Mademoiselle
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Saturday Night...
A Taste of Honey
Tom Jones
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Kino
Live Earth
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Next Gen.: Scorsese
Human Rights Watch
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New Italian Cinema
YFF: The Story of Qiu Ju
Magnum
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4 from Schlesinger
Lee Marvin
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Duke Ellington
SE: Il Trittico
YFF: Waitress
SFP: Toons, Tunes...
Carlos Saura
China's Independents
FCS: Electra
FCS: Hot Fuzz
African Film Festival
Daniel Barenboim
ND/NF Classics
Tian Zhuangzhuang
Offside
Rendez-Vous
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IN: A Dream in Doubt
Film Comment Selects
YFF: In the Soup
Donald Cammell
SE: Days of Glory
Farmanara Retro
NY Jewish Film Festival
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SE: For Goodis Sakepostponed
Dance on Camera 2007
On Sale: 2006 Archive
On Sale: 2005 Archive
Archive 2005 - To April
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Archive 2002 - WRT
Archive 2001 - WRT
Archive 2000 - WRT
Archive 1999 - WRT
Archive 1998 - WRT
Archive 1997 - WRT
Archive 1996 - WRT
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“What I want is a good time. All the rest is propaganda.”—Arthur Seaton in Saturday Night and Sunday Morning
The box office failure of The Entertainer cast a harsh shadow on the future of Woodfall Film Productions. Plans for several pictures were scrapped while Richardson’s Free Cinema colleague Karel Reisz was brought in to direct this low-budget adaptation of an Alan Sillitoe novel. Set in Nottingham, where Reisz had grown up, the film is a portrait of Arthur Seaton (Albert Finney), a factory worker who lives for liquor and womanizing. But like it or not, Arthur’s fate—settling down, getting married, council housing, and a family—seems foretold.
Reisz avoids the political and social stereotypes so often used for characters like Arthur; he’s far too complex and contradictory to be reduced to a simple class analysis. If this had been Albert Finney’s only screen performance, he still would have merited a place in the history books; he exudes a powerful physicality that takes on a tragic tone as it becomes clearer and clearer that his rebellious days are numbered. Happily, Saturday Night and Sunday Morning proved to be an enormous success, and Woodfall was back on track.
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Wed Jul 25: 2 & 6:15
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