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Scene Photo

History Is Made at Night
Series: Charles Boyer and The Art of Seduction [May 23 – 27]
Director: Frank Borzage, Country: USA, Release: 1937, Runtime: 98

“For a statement of pure movie romanticism it’s hard to beat Frank Borzage’s History is Made at Night… Boyer is the story’s romantic fulcrum, and Borzage lights his eyes - they pop out of the layered shadows in early, noirish scenes - as carefully as Josef von Sternberg ever lit Marlene Dietrich.” - Rachel Saltz, The New York Times

“A sensationally compelling Deco melange that may have inspired Casablanca......Deliriously impassioned climax aboard a sinking luxury liner that is more Titanic than, well, Titanic!" - David Noh, Gay City News

In one of the most fitting movie titles of all time, History Is Made at Night alludes to the film’s content––part romance, part farce, part film noir, even part disaster film––and to its story, an unapologetic valentine to the indestructibility of love. Director Frank Borzage was, in the words of critic Andrew Sarris, “that rarest of rarities, an uncompromising romanticist…with a genuine concern for the wondrous inner life of lovers in the midst of adversity.”

Paul Dumond, a headwaiter in a posh Paris restaurant (an ideally cast Charles Boyer), is witness to a nasty scene of domestic violence and rescues socialite Irene Vail (Jean Arthur) from her estranged, psychotic husband (Colin Clive). Spending the night in the restaurant where Paul works, the couple succumb to champagne and the late-night mood of romance. But when reality rears its ugly head, Irene must return to New York. Borzage’s talent is his ability to turn on a dime, flipping easily from one mood to another while making the shifts look spontaneous. The final shipboard sequence in which Paul and Irene reunite is truly an example of romance with a capital R, and the great Gregg Toland’s camerawork throughout is one of the film’s masterstrokes.

Print courtesy of the UCLA Film and Television Archive.




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