Intro with Daniels

This unclassifiable, expansive movie from Leos Carax operates on the exhilarating logic of dreams and emotions. After a prologue in which Carax himself, clad in pajamas, walks through a corridor that leads to a theater full of silent spectators, Holy Motors segues to actor Denis Lavant, Carax’s longtime collaborator, playing a mysterious man named Oscar who inhabits 11 different characters over the course of a single day. This shape-shifter is shuttled from appointment to appointment in Paris in a white stretch limo driven by the soignée Edith Scob (Eyes Without a Face); not on the itinerary is an unplanned reunion with Kylie Minogue. To summarize the film any further would be to take away some of its magic; the most accurate précis comes from its own creator, who aptly described Holy Motors after its world premiere in Cannes as “a film about a man and the experience of being alive.” 

“A movie we regularly rewatch to remind ourselves that the only rule of good filmmaking is ‘don’t be boring.'”—Daniels