A director speaks at length to a psychoanalyst, confiding his obsessions, fears, ideas about cinema, and psychological blocks, and eventually comes to realize that this all-encompassing exchange could be the basis of a film . . . Streetscapes [Dialogue] is based on a six-day psychoanalytic marathon that Emigholz undertook with trauma specialist Zohar Rubinstein—their roles are played in the film by American actor John Erdman and Argentinian filmmaker Jonathan Perel, who are photographed in and around buildings in Uruguay by Julio Vilamajó, Eladio Dieste, and Arno Brandlhuber. The result is Emigholz’s magnum opus, a demonstration of his singular working methods, and a playful, moving treatise on trauma and architecture in which foreground and background carry equal weight.
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