Sinister and completely absorbing . . . I doubt I’ll see another film so successful on all levels this year.
Skillfully merging menace and sweetness, The Innocents constructs a superbly eerie moral landscape.
Vogt unflinchingly explores the central paradox of childhood.
Perhaps best known as the co-screenwriter of acclaimed Norwegian director Joachim Trier (The Worst Person in the World), Eskil Vogt proves himself to be a filmmaker of astonishing skill and elemental force in his own right with this daring supernatural thriller. Set during the summer at an apartment complex surrounded by an ominous, fairy-tale-like forest, The Innocents follows the sinister, increasingly alarming interactions of a group of prepubescent children: Ida (Rakel Lenora Fløttum), feeling ignored next to her autistic older sister Anna (Alva Brynsmo Ramstad); the bullied Ben (Sam Ashraf); and the angelic Aisha (Mina Yasmin Bremseth Asheim), who appears to communicate telepathically—and feel through—the nonverbal Anna. With unforgettable, dark images and fleet visual storytelling, Vogt’s film pushes the “evil children” subgenre into more philosophical territory, creating a morally askew universe controlled by a child’s primitive understanding of the world. An IFC Midnight release. A New Directors/New Films 2022 selection.
Introducing Matinee Pricing! All tickets are $10 for screenings before 3pm.