Perhaps the only Raúl Ruiz film that could be described as containing a story “ripped from the headlines,” this philosophical horror flick (co-written by Gilbert Adair) tracks the descent of two American families into cannibalism during a camping trip in the south of France. Celebrated upon its release for the strangeness of its theological vision (reminiscent of that of former Ruiz collaborator Pierre Klossowski), The Territory explores the body as a site of desire and violence with Ruiz’s signature touch, yielding a slippery work that is mortifying, mystifying, and surprisingly funny.