Film at Lincoln Center announces Jane Campion’s The Power of the Dog as the Centerpiece selection for the 59th New York Film Festival, making its New York premiere at Alice Tully Hall on October 1.
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Campion reaffirms her status as one of the world’s greatest—and most gratifyingly eccentric—filmmakers with this mesmerizing, psychologically rich variation on the American western. Adapted from a 1967 cult novel by Thomas Savage that was notoriously ahead of its time in depicting repressed sexuality, The Power of the Dog excavates the emotional torment experienced at a Montana cattle ranch in the 1920s. Here, melancholy young widow Rose (Kirsten Dunst) has come to live with her sensitive new husband, George (Jesse Plemons), though their lives are increasingly complicated by the erratic, potentially violent behavior of his sullen and bullying brother, Phil (Benedict Cumberbatch), whose mistrust of both Rose and her misfit son (Kodi Smit-McPhee) leads to tragic consequences. Mirroring the unpredictable story turns, Campion crafts a film of unexpected cadences and rhythms, and her daring is matched every step of the way by her extraordinary, fully immersed cast and a mercurial, destabilizing score by Jonny Greenwood. A Netflix release.
“I am very honored that The Power of the Dog has been selected as the Centerpiece Gala at this year’s New York Film Festival,” said director Jane Campion. “Public screenings we long took for granted feel exceptional now, so it is going to be a very emotional and joyous experience for me and my team to be there and present the film to such a film-celebrating audience.”
“We couldn’t be happier to welcome Jane Campion back to the festival with one of her very best films,” said Dennis Lim, NYFF Director of Programming. “Everything about The Power of the Dog is alive with surprise: its narrative turns, its rich characterizations, its complex ideas about masculinity and repression. It will introduce many to the work of the underappreciated novelist Thomas Savage, but it also reminds us of what cinema can do as a medium for accessing and expressing inner life.”
Four of Campion’s previous films—Sweetie (1989), An Angel at My Table (1990), The Piano (1993), and Holy Smoke (1999)—have been official selections of NYFF, and in 2017, Film at Lincoln Center presented Jane Campion’s Own Stories, a retrospective of her film and television work.
The NYFF Main Slate selection committee, chaired by Dennis Lim, also includes Eugene Hernandez, Florence Almozini, K. Austin Collins, and Rachel Rosen.
Presented by Film at Lincoln Center, the New York Film Festival highlights the best in world cinema and takes place September 24 – October 10, 2021. An annual bellwether of the state of cinema that has shaped film culture since 1963, the festival continues an enduring tradition of introducing audiences to bold and remarkable works from celebrated filmmakers as well as fresh new talent.
NYFF59 will feature a combination of in-person, outdoor, and virtual screenings, with a comprehensive series of health and safety policies in coordination with state and city medical experts. Visit filmlinc.org for more information.
Festival Passes are now on sale, with Early Bird pricing through Sunday, August 8 only. NYFF59 tickets will go on sale to the general public on Tuesday, September 7 at noon ET, with early-access opportunities for FLC members and pass holders prior to this date. Save 15% on Contributor, Friend, Angel, and New Wave membership levels when you join online by August 9 using the promo code LOVEFILM. Learn more here. Support of the New York Film Festival benefits Film at Lincoln Center in its nonprofit mission to promote the art and craft of cinema. NYFF59 press and industry accreditation is now open.
