
Wild at Heart
Laura Dern
December 14, 2017
This Palme d’Or–winning, aggressively absurd road movie is Lynch’s first all-out comedy, following Lula (Dern) and Sailor (Nicolas Cage) as they set out for California in a Ford Thunderbird, only to be detained in the Texas hellhole of Big Tuna.
With its good and wicked witches, and references to Toto and the yellow brick road, David Lynch’s Wild at Heart is an overt, elaborate homage to The Wizard of Oz. Lula (Dern) and Sailor (Nicolas Cage) set out from Cape Fear, North Carolina, in a Ford Thunderbird, headed for the obligatory Oz of California but end up detained in the Texas hellhole of Big Tuna. Winner of the Palme d’Or at the 1990 Cannes Film Festival, Wild at Heart is Lynch’s first all-out comedy, but despite the prevailing tone of aggressive absurdity, it contains some of the filmmaker’s most harrowing scenes. The film also features Dern in one of her most memorable roles (at times acting opposite her mother, Diane Ladd, whose performance earned her an Oscar nomination for Best Supporting Actress). A striking counterpoint to her previous Lynch persona, Sandy, Blue Velvet’s paragon of youthful innocence, Lula is mature, self-possessed, and recklessly romantic.
Part of a daylong celebration of Laura Dern’s ongoing contribution to the history of screen acting. On December 14 at 8:00 p.m., Dern joins us for an onstage discussion spanning her illustrious career, with a focus on her recent triumphs on the big and small screen (Certain Women, Wilson, Star Wars: The Last Jedi, Big Little Lies, Twin Peaks: The Return). Get tickets for the conversation.



Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


