On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Miroirs No. 3 director discusses his haunting, beautifully crafted new film, a selection of the 63rd New York Film Festival.

In the haunting new film from esteemed German director Christian Petzold (Transit, NYFF56), his regular star Paula Beer plays Laura, a pianist from Berlin who finds herself in a transitory state. After surviving a violent car crash that kills her boyfriend, Laura is immediately taken in by Betty (Barbara Auer), a mysterious middle-aged woman who lives alone in an isolated house in the countryside. Strangers to one another, the two women build a quiet, respectful life together, though the reemergence of Betty’s estranged husband and son sheds light on the tragic past that explains the murky present. The pleasurable enigma of Miroirs No. 3, named for a Ravel piano suite, returns Petzold to the metaphysical ambiguity of earlier films like Yella (2007) and the themes of doubling in his cherished Phoenix (2014), yet with a distinctive ethereality all its own: It’s an economical and beautifully crafted work about the mystery of human interaction. The release will be accompanied by a selection of Petzold’s previous films. An NYFF63 Main Slate selection. A 1-2 Special release.