We’re pleased to dedicate the 57th New York Film Festival to Agnès Varda, who has had a selection in every decade of the festival. “Film at Lincoln Center has had a rich history with Varda,” said FLC Executive Director Lesli Klainberg. “In 2015, she appeared in person for a retrospective of her documentary work as part of Art of the Real, and she has been a fixture at the New York Film Festival, with ten films selected over six decades of the festival’s history—most recently in 2017 with Faces Places. We’re pleased to dedicate this year’s 57th edition to her memory.” Join us for her final work Varda by Agnès at the festival–with more details on the dedication to be announced soon–followed by a career-spanning retrospective at @FilmLinc this holiday. See more at filmlinc.org/varda [Photo by @godlis at the 38th #NYFF]

Our holiday series is a career-spanning retrospective of Agnès Varda, the most comprehensive survey to date of the late filmmaker’s vast canon with more than 30 films from her 60-plus-year career. Starts December 20, presented with @janus_films!The director’s final work, Varda by Agnès, is a 57th @thenyff Main Slate selection and will open at FLC on November 22 to coincide with the retrospective. We’ve also announced the 57th New York Film Festival will be dedicated to Varda’s memory. When Varda died earlier this year at age 90, the world lost one of its most inspirational cinematic radicals. From her 1954 feature debut La Pointe Courte, a groundbreaking fiction-documentary hybrid, to her New Wave treasures Cléo from 5 to 7 and Le Bonheur to her inquiries into those on society’s outskirts like Vagabond (NYFF23), The Gleaners and I (NYFF38), and the 2017 Oscar nominee Faces Places (NYFF55), she made enduring films that were both forthrightly political and gratifyingly mercurial. Her cinema, which included a wide variety of forms—from lyrical nonfiction portraits to fanciful fictions to a political, feminist musical—and which were made with all kinds of equipment and budgets, were an inspiration to filmmakers all over the world for decades. Film at Lincoln Center is proud to present a retrospective of Varda’s work, which features more than 30 films from her 60-plus-year career, and kicks off a nationwide tour. See more details at filmlinc.org/varda [Photo by Julie Cunnah]

Bloodline, starring Sean William Scott as a family man by day and serial killer by night, is a “beautifully shot, blood-soaked homage to Brian De Palma,” says @bdisgusting. See the New York premiere of the unrated cut featuring Q&A with director Henry Jacobson, co-writer Avra Fox-Lerner, and composer Trevor Gureckis this Tuesday at 8:45pm at Scary Movies XII! 🔪

The profoundly imaginative works of Piotr Szulkin, one of Poland’s most visionary filmmakers, play Sept. 6-8 in new restorations, including three U.S. premieres! 🇵🇱 “An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… his future is our now,” says @elabittencourt. The series showcases all of Szulkin’s features, including his audacious cult classic Golem, often considered a precursor to Blade Runner; The War of the Worlds: Next Century, a reimagining of the H.G. Wells novel and an indictment of mass media’s influence on civilians; O-Bi, O-Ba: The End of Civilization, which follows the remaining survivors of a nuclear apocalypse as they wait for a mythical Ark to save them from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina; the dadaist Ga, Ga: Glory to Heroes, which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu, based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career. Tickets now on sale, including discount packages, at filmlinc.org/szulkin

Ahead of Roberto Minervini's lyrical, urgent new documentary What You Gonna Do When the World’s on Fire? opening this Friday, we're sharing a powerful Q&A following the 56th @TheNYFF premiere of the @nytimes Critic’s Pick. Watch on our YouTube channel or listen on our podcast. Join the director and subjects in person tomorrow, along with a reception for all ticket holders! Secure your seats at the link in bio. 📸: @colleen_sturtevant_photography

In remembrance of Toni Morrison, Toni Morrison: The Pieces I Am will return to Film at Lincoln Center for a one-week run starting Friday. This artful and intimate documentary provides a look into the life and work of the legendary storyteller and Nobel prize-winner, and the countless people she has inspired. “An eloquent and lively celebration of Morrison’s immense impact,” says @indiewire. Tickets now on sale at filmlinc.org/toni

The lineup for Projections, our annual showcase of innovative and experimental works, at the 57th #NYFF has been unveiled! Presented with support from @mubi, Projections features 40 short and feature films, representing 21 countries with six world premieres, six North American premieres, and 19 U.S. premieres. Among the highlights are the North American premiere of Minh Quý Trương’s striking feature The Tree House; Thomas Heise’s monumental essay film Heimat Is a Space in Time, utilizing both new material and archival footage to reflect on the fraught evolution of Germany’s national identity; a new 35mm restoration of avant-garde film pioneer Pat O’Neill’s 1974 film Saugus Series, a dazzling showcase for his groundbreaking work with the optical printer; Longa noite, the long-awaited sophomore feature from Arraianos filmmaker Eloy Enciso Cachafeiro; and a special free program dedicated to the memory of the late filmmaker and Projections alum Jonathan Schwartz, featuring seven of his 16mm films. The lineup also features new work from several Film at Lincoln Center alumni: @mikorevereza (Distancing), whose No Data Plan screened in Art of the Real 2019; @akosuadoma (Pelourinho: They Don’t Really Care About Us), a Projections alum whose short films have also screened in the NY @africanfilmfest and New Directors/New Films; Luise Donschen (Entire Days Together), an alum of Art of the Real; and Burak Çevik (A Topography of Memory) and James N. Kienitz Williams (This Action Lies), both alums of #NDNF 2019. See the full announcement at the link in bio.

This year’s Scary Movies kicks off Friday with Villains, a darkly funny, brightly colored twist on gothic horror and the home-invasion thriller, starring @maikamonroe and Bill Skarsgård as young outlaw lovers who get more than they bargained for when they break into an isolated house in the woods. Followed by Feral, which is The Blair Witch Project meets Truffaut’s The Wild Child in a visually arresting, deeply haunting found-footage faux-documentary from first-time director Andrés Kaiser. Q&As at both screenings and all ticket holders are invited to an Opening Night party in between screenings! 😱 🎉

Playing in 35mm this Sunday at 9:15pm & Tuesday at 4pm, Terence Davies’s adaptation of Edith Wharton’s 1905 novel The House or Mirth—an unsparing survey of the New York aristocracy at the turn of the 20th century—may have been shot in Glasgow and Merseyside, yet it offers an exquisite drama of American class distinctions. @gilliana stars as the ill-fated Lily Bart, a well-born woman who watches her social status slowly crumble as she refuses to marry for money and becomes a pawn in the self-preserving schemes of fair-weather friends like the calculating socialite Bertha Dorset (Laura Linney). Vividly bringing the book’s period to life on a modest budget and with a peerless cast, Davies captures all the emotional violence of Wharton, as well as her cutting insight into a privileged milieu whose worst tendencies remain all too recognizable a century later.

Save 50% on all @filmcommentmagazine subscriptions through Sunday only! Featuring the finest in critical essays, interviews, festival coverage & reviews for over 50 years. Subscribe today at filmcomment.com/subscribe to receive the latest issue and look for a special @thenyff edition coming soon! (📸: @steveyeun by @photojuice)

You won’t want to miss the special #NYFF edition of @filmcommentmagazine, coming next month. Through Sunday only, get 50% off all subscriptions at filmcomment.com/subscribe 📖 Check back for more Film Comment event announcements at the festival!

This Friday, Michel Gondry’s Eternal Sunshine of the Spotless Mind closes out our summer of free outdoor screenings at @governorsisland! Food and beer garden opens at 7pm, followed by the film at dusk. ✨ New Wave members are invited to a game night before the screening featuring a sneak peek at @cinephilegame! See more at filmlinc.org/enternal

The Main Slate at the 57th @thenyff showcases films from 17 different countries, including new titles from celebrated auteurs, extraordinary work from directors making their NYFF debuts, and captivating features that earned acclaim at international festivals! ✨ Explore the full lineup, including the official #NYFF poster designed by Pedro Almodóvar, at filmlinc.org/nyff Limited Festival Passes available! 🎞 Become a member by Thursday (Contributor or above) to receive pre-sale access. Single tickets go on sale September 8 at noon.

The Main Slate selections for the 57th #NYFF have been announced, featuring 29 films from 17 countries! This year’s lineup features new films from Pedro Almodóvar, Olivier Assayas, Kantemir Balagov, Noah Baumbach, Marco Bellocchio, Bertrand Bonello, Bong Joon-ho, Pedro Costa, Jean-Pierre and Luc Dardenne, Arnaud Desplechin, Diao Yinan, Mati Diop, Koji Fukada, Kiyoshi Kurosawa, Nadav Lapid, Oliver Laxe, Lou Ye, Pietro Marcello, Kleber Mendonça Filho and Juliano Dornelles, Edward Norton, Corneliu Porumboiu, Kelly Reichardt, Angela Schanelec, Céline Sciamma, Martin Scorsese, Albert Serra, Justine Triet, Agnès Varda, and Federico Veiroj. See the full announcement and secure your NYFF57 Festival Pass at the link in bio–limited quantities available! Single tickets go on sale September 8 at noon. Become a @filmlinc member (Contributor or above) by August 8 to receive pre-sale access.

Scary Movies is “NYC’s hottest horror festival,” says @fangoria. The 12th edition kicks off August 16, featuring the darkly funny Opening Night selection Villains starring Maika Monroe and Bill Skarsgård, the adrenaline-fueled Closing Night selection Ready or Not, and more terrifying premieres and rediscoveries! 😱 Save with a 3+ film discount package for select screenings, available at the link in bio or at our box office.

Just announced: @thenyff Closing Night film is Edward Norton’s Motherless Brooklyn, making its New York premiere at Alice Tully Hall on Friday, October 11, 2019. “NYFF has been my hometown festival for nearly 30 years, and it’s consistently one of the best curated festivals in the world,” said @edwardnortonofficial. “Every year I look forward to meeting up with old friends and colleagues to go watch the year’s best films in their program. NYFF always perfectly straddles everything I love about the movies. They balance serious audiences and thoughtful conversations about film with just the right level of glamour and celebratory fun. To have this particular film—which grew out of my love affair with New York—selected for Closing Night is just a huge thrill . . . a dream come true, actually.” See the full announcement and secure your NYFF57 Festival Pass at the link in bio–limited quantities available! #motherlessbrooklyn #edwardnorton #jonathanlemem #alecbaldwin #brucewillis #willemdafoe #gugumbatharaw #bobbycannavale #lesliemann #cherryjones #thomyorke #wyntonmarsalis #nyff

Edward Norton’s Motherless Brooklyn is the Closing Night selection of the 57th #NYFF, making its New York premiere at Alice Tully Hall on Friday, October 11, 2019! In an unusually bold adaptation, writer-director @edwardnortonofficial has transplanted the main character of Jonathan Lethem’s best-selling novel Motherless Brooklyn from modern Brooklyn into an entirely new, richly woven neo-noir narrative, re-set in 1950s New York. Emotionally shattered by a botched job, Lionel Essrog (Norton), a lonely private detective with Tourette syndrome, finds himself drawn into a multilayered conspiracy that expands to encompass the city’s ever-growing racial divide and the devious personal and political machinations of a Robert Moses–like master builder, played by Alec Baldwin. Featuring a rigorously controlled star turn by Norton and outstanding additional supporting performances by Bruce Willis, Willem Dafoe, @gugumbatharaw, @bobby_cannavale, @lesliemann, and Cherry Jones, plus a haunting soundtrack (featuring a score by Daniel Pemberton, with orchestration by Wynton Marsalis, and an original song by @thomyorke), Motherless Brooklyn is is the kind of production Hollywood almost never makes anymore, and a complexly conceived, robust evocation of a bygone era of New York that speaks to our present moment. See the full announcement and secure your NYFF57 Festival Pass at the link in bio–limited quantities available! #motherlessbrooklyn #edwardnorton #jonathanlemem #alecbaldwin #brucewillis #willemdafoe #gugumbatharaw #bobbycannavale #lesliemann #cherryjones #thomyorke #wyntonmarsalis

“Film at Lincoln Center’s Another Country: Outsider Visions of America offers a smorgasbord of wildly disparate cinema by foreign and immigrant directors you wouldn’t normally consider in the same conversation,” says @hyperallergic. Starting tomorrow, our new series features films from Chantal Akerman, Michelangelo Antonioni, Jane Campion, Terence Davies, Jacques Demy, Alain Resnais, Raúl Ruiz, Agnés Varda, Paul Verhoeven, Lars von Trier, Wim Wenders, John Woo & more! Save with a 3+ film package at the link in bio.

Opening this Friday, Claudio Giovannesi’s Berlinale winner and Open Roads selection Piranhas is a “gripping modern riff on Goodfellas,” says @indiewire. On this week’s Film at Lincoln Center Podcast, listen to the director discuss his singular coming-of-age crime drama. The full conversation is also available on our YouTube channel. 🇮🇹

Happy birthday, @schwarzenegger! See a trio of his '80s classics–Conan the Barbarian, The Terminator, and The Running Man–during our J. Hoberman-curated series Make My Day: American Movies in the Age of Reagan, August 23-September 2. Tickets on sale this Thursday, featuring 2-for-1 double features.

Just announced: @thenyff Centerpiece selection is Noah Baumbach’s Marriage Story, starring Adam Driver and Scarlett Johansson! Secure your seats with an #NYFF Festival Pass—limited quantities available. “What amazed me about Marriage Story is the way that Noah keeps the many conflicting emotions between his characters flowing into and around and under and over each other, so beautifully that the film achieves the condition of music,” said New York Film Festival Director and Selection Committee Chair Kent Jones. “In fact, it actually flowers into song in two of the film’s loveliest and most surprising moments. Marriage Story is a heartbreaker, it’s very funny, and it has an emotional complexity that’s worthy of Bergman.” #noahbaumbach #marriagestory #adamdriver #scarlettjohansson

Just announced: Martin Scorsese’s The Irishman, starring Robert De Niro, Al Pacino, and Joe Pesci, will make its World Premiere as the Opening Night film of the 57th @thenyff! “The Irishman is so many things: rich, funny, troubling, entertaining and, like all great movies, absolutely singular,” said New York Film Festival Director and Selection Committee Chair Kent Jones. “It’s the work of masters, made with a command of the art of cinema that I’ve seen very rarely in my lifetime, and it plays out at a level of subtlety and human intimacy that truly stunned me. All I can say is that the minute it was over my immediate reaction was that I wanted to watch it all over again.” See the full announcement and secure your Festival Pass at filmlinc.org/nyff #martinscorsese #theirishman #robertdeniro #alpacino #joepesci #nyff #filmlinc

Special offer! Mention "extraordinary" at the box office to get a free ticket to Mariano Llinás's endlessly engrossing, ambitious debut Extraordinary Stories, playing this Sunday at 4:30pm with director Q&A. "A contagiously playful and thrillingly inventive work," says @nytimes, naming it a Critic's Pick. Free ticket subject to availability. This is a one-time-only screening before the director’s 14-hour epic La Flor opens on Friday!

This Thursday, join us for a FREE outdoor screening of @leeunkrich's extraordinary, emotional Oscar-winning animation Coco & a special performance by the effervescent Latin fusion band @lasantacecilia! The #LCOutofDoors event kicks off at 7pm at @LincolnCenter’s Damrosch Park. Seating is first come, first served, and gates open one hour prior to the performance. 🎸🇲🇽 See more details at filmlinc.org/coco #FreeAtLincolnCenter #coco #pixar #lasantacecilia #filmlinc #lincolncenter #freenyc

Press & Industry accreditation for the 57th New York Film Festival is open through August 16. Help us spread the word to reach press new to the festival by tagging those who might be interested below! We’ve also opened up a call for entries for our annual Critics Academy, a workshop for aspiring film critics in collaboration with @filmcommentmagazine & @filmlinc. See more details for both applications at the link in bio. #nyff 📸: Julie Cunnah

Get ready to scream. 😱 The lineup for Scary Movies XII (Aug. 16-21), featuring the best in horror from around the globe, has been announced! The festival kicks off with the NY premiere of the darkly funny home invasion thriller Villains starring @maikamonroe & Bill Skarsgård. As a special event on August 17, we're thrilled to present the world premiere of Ari Aster's Director's Cut of Midsommar, a singular, unflinching, utterly contemporary entry in the fish-out-of-water folk-horror canon. Matt Bettinelli-Olpin and Tyler Gillett’s adrenaline-fueled parable of class warfare Ready or Not will close out the festival in killer fashion. Check out the full festival lineup, with tickets on sale starting August 1, at filmlinc.org/scarymoviesxii 🔪

Two of the boldest debut films of the 21st century—Richard Kelly’s unnerving, wildly ambitious portrait of millennial angst Donnie Darko and Shane Carruth’s eerie, elegant, and lo-fi Primer—play in a sci-fi double feature this Saturday starting at 8pm. 2-for-1 pricing! Plus, on Tuesday, July 23 at 7:30pm join us for a free talk on the best debuts of the 21st century featuring @filmcommentmagazine Editor-in-Chief Nicolas Rapold; Florence Almozini, Associate Director of Programming at Film at Lincoln Center; Eric Hynes, Curator of Film at @movingimagenyc; Devika Girish of Film Comment; and Ashley Clark, Senior Repertory and Specialty Film Programmer at @bamfilmbrooklyn.

Happy birthday, Apichatpong Weerasethakul! Pictured at the 48th #NYFF for Uncle Boonmee Who Can Recall His Past Lives. His beguiling debut Mysterious Object at Noon plays at @filmlinc this Friday & July 23 in a double feature with Bi Gan’s Kaili Blues as part of This Is Cinema Now: 21st Century Debuts. 📸: @godlis #apichatpongweerasethakul #filmlinc

The 50th Mixtape, our weekly FREE double features to celebrate Film at Lincoln Center's golden anniversary, continues this Thursday, July 18, with two wuxia gems: King Hu's Come Drink with Me (6pm) and Hou Hsiao-hsien's The Assassin (8pm). Tickets will be distributed first-come, first-served starting at 5pm on Thursday at the Walter Reade Theater box-office, subject to availability. Also, come drink with us: complimentary beer will be served at both screenings courtesy of @radebergerusa! This series will culminate with an audience choice for our final free double feature of the summer. Cast your vote now on Twitter! 🎞 See the full schedule and more details at filmlinc.org/mixtape and follow along with our @letterboxd list. #filmlinc #freenyc #freescreening #filmlinc50

A double feature of the debut films of Barry Jenkins and Damien Chazelle play this Saturday at our series on the best first features on the 21st century thus far. Shot in luscious sepia tones, @bandrybarry’s Medicine for Melancholy—with Wyatt Cenac and Tracey Heggins as hipsters whose one-night stand stretches into a 24-hour odyssey through the city—considers what it means to be young, black, and bohemian in rapidly gentrifying San Francisco. Shot on black-and-white 16mm, and featuring original songs by Justin Hurwitz, Damien Chazelle’s Guy and Madeline on a Park Bench is a resourceful, low-budget Boston-set musical about a jazz trumpeter with a wandering eye and his introverted, out-of-work ex-girlfriend. See both films for the price of one ticket! #barryjenkins #damienchazelle #medicineformelancholy #guyandmadelineonaparkbench #wyattcenac #traceyheggins #filmlinc

Benjamín Naishtat's Rojo, opening today at Film at Lincoln Center, is "superbly sinister and stylish," says @Variety. "A witheringly provocative examination of temporary moral eclipse becoming permanent moral apocalypse." In mid-’70s Argentina, at the height of that country’s infamous Dirty War, Claudio (Darío Grandinetti) is a well-heeled, cool-headed lawyer living with his wife and teenage daughter in a comfortable provincial suburb. When an innocuous dinner date ends in a startling altercation with a stranger, Claudio’s apparently placid lifestyle is disrupted, and fault lines begin to appear in the frictionless surface of his professional and domestic existence. What follows is a brooding, warm-hued fugue, where political calculations, economic stratagems, and tenuous social mores are played out with slow-burning ferocity against a harmonic bassline of barely repressed indignation and simmering paranoia. #benjaminnaishtat #rojo #rojofilm #filmlinc

Due to forecasted heavy rain impacting ground conditions, tomorrow's outdoor screening of Martin Scorsese's After Hours at @governorsisland has been delayed to next Friday, July 19. We'll see you then with food, drinks & pre-show tunes kicking off beforehand. See more details at filmlinc.org/escape

Join us for a Martin Scorsese classic under the stars this Friday at @governorsisland with a free outdoor screening of his darkly humorous odyssey After Hours! 🎥✨ The festivities kick off at 6pm with food, drinks & pre-show tunes by DJ @theodorejahng. The screening will begin at 8:30pm with a dance performance by Eleanore Pienta (@honeydipmagicstick) introducing her short film, Ada, followed by Scorsese's 1985 cult gem. See more details at filmlinc.org/escape

Unpack the unsettling horrors and broken relationships of Midsommar this Tuesday, July 9, at 7pm at Film Comment’s free talk with director @ari.aster! Free tickets for the extensive conversation will be distributed starting at 6pm on Tuesday at the Elinor Bunin Munroe Film Center box office. Can’t make it? Subscribe to the @filmcommentmagazine podcast and pick up their latest issue, in which Aster discusses his wide-ranging influences. #ariaster #midsommar #florencepugh #jackreynor #filmcomment #filmlinc

The New York Film Festival (@thenyff) will return for its 57th edition September 27-October 13! Get early access to tickets with a Festival Pass, now on sale with an early bird discount through July 14. 🎟 Reserve yours today at filmlinc.org/nyff 📸: @steveyeun at the #NYFF premiere of Burning, by @mettieostrowski.

Secure your seats to the fall's most-anticipated event! Ticket Passes for the 57th New York Film Festival are on sale now, with Early Bird discounts through July 14. 🎟 Reserve yours at the link in bio. 📸: Opening Night of The Favourite, by @danrodriguezdp. #NYFF

Opening today exclusively at Film at Lincoln Center, Peter Parlow's "social and philosophical investigation disguised as a gleefully barbed satire" The Plagiarists "deserves to be the summer’s art house conversation starter," says @nytimes, who name it a Critic's Pick! Q&As with co-writers James N. Kienitz Wilkins and Robin Schavoir at the 6:30pm screenings tonight and Saturday of the New Directors/New Films 2019 selection. Also, all ticket holders tonight are invited to an Opening Night reception from 8-9pm in the Film Center studio space. 🥂 #theplagiarists #filmlinc

On this week’s Film at Lincoln Center podcast, it’s a double-header as we’re sharing the Q&As following our Patron evening screenings of Yesterday, the new film from director Danny Boyle and writer Richard Curtis, starring Himesh Patel, and Alex Holmes’s Maiden, a new documentary about Tracy Edwards who, at 24, became the skipper of the first ever all-female sailing crew to enter the Whitbread Round the World in 1989. 🎧 Tune in on iTunes, SoundCloud, Sitcher, and more. Photos by @danrodriguezdp.

Our free weekly double features begin tomorrow with a tribute to Agnès Varda and Cléo from 5 to 7, the 1962 classic that announced her as one of cinema’s premier artistic voices, followed by Jane Campion's Nicole Kidman-led cinematic fever dream The Portrait of a Lady! 🎞 Register in advance our 50th anniversary mixtape series at filmlinc.org/mixtape and be automatically entered to win special prizes, including Film at Lincoln Center memberships, tote bags, @filmcommentmagazine subscriptions, and more. Also, join us tomorrow between the free double feature at the Furman Gallery for a special reception!  #agnesvarda #cleofrom5to7 #filmlinc #freeatlincolncenter

Celebrate #PrideMonth this Thursday at @filmcommentmagazine’s free talk on the changing landscape of LGBTQ cinema and criticism, featuring special guests Melissa Anderson (4Columns), Wesley Morris (The New York Times), Mark Harris (author, Pictures at a Revolution, Five Came Back), and Farihah Zaman, joining Film Comment’s Michael Koresky—writer of its biweekly column Queer & Now & Then. 🌈 Talk begins at 6:30pm at the Elinor Bunin Munroe Film Center Amphitheater with free tickets distributed starting an hour prior. Register early at filmlinc.org! Can’t make it? Subscribe to the Film Comment Podcast. 🎧 #lgbt #queer #filmlinc #filmcomment #freetalk #lgbtq #pride #callmebyyourname #carol #moonlight #pariah #happytogether

To celebrate 50 years of Film at Lincoln Center, join us for FREE weekly double features combining all-time and recent favorites! 🎞 The summer series kicks off this Thursday at 6pm with Agnès Varda's Cléo from 5 to 7, the 1962 classic that announced her as one of cinema’s premier artistic voices, and Jane Campion's cinematic fever dream, The Portrait of a Lady, at 8pm. 🍿 Free popcorn, soda, and exclusive giveaways at the June 27 kick-off event! Plus, join us between screenings for a reception from 7-8pm in the Furman Gallery, featuring @twochickscocktails, ice pops, an early preview of @cinephilegame, a photo booth, and a special summer playlist. Register for tickets at filmlinc.org/mixtape and be automatically entered for a chance to win! Prizes include Film at Lincoln Center memberships, tote bags, @filmcommentmagazine subscriptions, and other fun surprises. #filmlinc50 #freenyc #freescreening #filmlinc #agnesvarda #janecampion #cleofrom5to7 #portraitofalady

Meet me at @governorsisland this summer. 💜

"I can’t recommend this series highly enough; only three of his films are readily available in the US while the others are nearly impossible to see," says @mubi's Adrian Curry. Our retrospective dedicated to Italian master Ermanno Olmi begins this Friday! Along with his acclaimed classics The Tree of Wooden Clogs, Il Posto, and The Fiances, discover more of his rarely-screened, overlooked gems, including the the world premiere of a new restoration of The Profession of Arms (pictured), his charmingly inventive debut feature Time Stood Still, his sublime Rutger Hauer-led drama The Legend of the Holy Drinker, the Chaplin-esque In the Summertime, and more! Save with a discount package or pass, available at filmlinc.org/olmi 🇮🇹

Martin Scorsese, Spike Lee, and more special guests presented the world premiere of the rollicking Bob Dylan film Rolling Thunder Revue last night! 🎸🎶 Experience the one-of-a-kind movie on the big screen starting this Wednesday at Film at Lincoln Center. 📸: @seandiserio

This Friday, Richard Linklater's wildly entertaining School of Rock kicks off our FREE outdoor screening series at @governorsisland! 🤘 Food & beer garden opens at 6pm, film begins at dusk. See you there! 🎸 More info, including the full summer lineup, available at filmlinc.org/escape ☀ #schoolofrock #jackblack #governorsisland #filmlinc #govisland #freenyc #freescreening

Summer vibes, Italian style. 🍹 🇮🇹 This Sunday at 9pm, don’t miss the North American premiere of Selfie, Agostino Ferrente's moving slice-of-life Naples-set documentary that @artforum hails as "not to be missed,” with the director in person. Additional highlights at Open Roads: New Italian Cinema include the Berlinale prizewinner Federico Bondi’s Dafne, Paolo Sorrentino’s Loro, Gianni Zanasi’s Lucia’s Grace, starring Alba Rohrwacher, Adele Tulli’s Normal, a special screening of Bernardo Bertolucci’s debut La Commare Secca, and much more! Save with a discount package.