Slide 63rd New York Film Festival

63rd New York Film Festival

Through October 13
Slide NYFF63 Talks

NYFF63 Talks

Featuring Lucrecia Martel, Radu Jude, Oliver Laxe, and more!
Slide NYFF63 Merch

NYFF63 Merch

Available at ATH
Slide The Mastermind
New Release

The Mastermind

Kelly Reichardt’s NYFF selection opens October 17
Slide Nouvelle Vague
New Release

Nouvelle Vague

Richard Linklater’s NYFF selection opens October 31 on 35mm
Slide Peter Hujar’s Day

Peter Hujar’s Day

Ira Sachs’s NYFF selection opens November 7 with Q&As

Available Tickets at NYFF63

The unflaggingly vital American cinema legend gets the definitive portrait his epochal career deserves in Rebecca Miller’s five-part documentary, told through Scorsese’s own words and new interviews with creative collaborators and family members.

A multidimensional work of vision and ambition, BLKNWS: Terms & Conditions expands visual artist Kahlil Joseph’s installation into a feature film, an alternately riotous and meditative compendium of the Black experience.

Bad Bunny collaborator Stillz makes his feature debut with this gangland tale, a Los Olvidados for the LiveLeak era that melds high-speed heists and found-footage textures with supernatural eeriness.

Suffused with alluring atmospherics and a slight air of the oneiric, Hong Kong-born (and future Éric Rohmer editor) Mary Stephen’s debut feature evocatively traces the uncertain relationship between two Chinese women in Shanghai in 1935.

Bad Bunny collaborator Stillz makes his feature debut with this gangland tale, a Los Olvidados for the LiveLeak era that melds high-speed heists and found-footage textures with supernatural eeriness.

In Claire Denis’s absorbing and intimate film, set at a white-run construction site in West Africa, Albouny (Isaach de Bankolé) demands the return of his brother’s body, killed in a mysterious work accident, but the site’s foreman (Matt Dillon) is clearly hiding the truth.

In his towering new achievement, animator-director Mamoru Hosoda transports viewers to jaw-dropping fantasy worlds, combining weighty Shakespearean themes with wondrous anime imagery as he conjures a phantasmal riff on Hamlet.

Lucrecia Martel’s (Zama, NYFF55) expansive and enlightening first feature documentary takes a sweeping approach to the tragic true story of a member of Argentina’s Indigenous Chuchagasta community who was killed trying to defend his people from being forcibly evicted from their land.

Sergio has traveled from Lisbon to Guinea-Bissau to meet with locals and research the possibility of his European company constructing a highway in this epic, scrappy, sexually fluid portrayal of the contemporary postcolonialist liberal mindset. Winner, Best Actress, Cannes Un Certain Regard for Cleo Diára.

The biggest action-adventure film ever made in India, Ramesh Sippy’s towering 1975 “Curry Western” is a delirious four-course meal of action, musical numbers, Indian cinema’s most iconic actors, and jaw-dropping widescreen 70mm cinematography.

For the past six decades, Seymour Hersh has been at the front lines of political journalism in the U.S. This arresting documentary, released at a crucial moment for the freedom of the press, tells the wide-ranging story of this breakthrough reporter.

Shimmering with beauty and freighted with mystery, Gabriel Azorín’s feature debut—set in the vicinity of an ancient Roman bath in the Spanish countryside—is a cosmic hangout film that announces its director as a major new voice.

Christian Petzold’s (Transit, NYFF56) haunting, beautifully crafted new film stars Paula Beer as a pianist from Berlin who’s taken in by a mysterious woman in an isolated country house after surviving a violent car crash.

A celebrated fashion designer finds it impossible to readjust to her former life after surviving a shocking plunge into an icy lake in Argentinean filmmaker Milagros Mumenthaler’s existential puzzle, a work of compelling psychological interiority.

Coming Soon to FLC

Film

Opens October 17 featuring Q&As with Kelly Reichardt

Against a Nixon-era backdrop of alienation and disillusionment, a taciturn family man (Josh O’Connor) makes the rash, largely inscrutable decision to orchestrate a heist at the local art museum in this restrained and often funny anti-thriller from Kelly Reichardt (Showing Up, NYFF60).

Film

Opens October 31—first week presented on 35mm!

The spirit of cinematic revolution is alive and well in Richard Linklater’s affectionate and wildly entertaining passion project, which transports the viewer back to a creative landmark: the 1959 making of Breathless by Jean-Luc Godard.

Film

Opens November 7 featuring Q&As with Ira Sachs

Ira Sachs’s mesmerizing latest film is based on rediscovered transcripts from an unused 1974 interview by nonfiction writer Linda Rosenkrantz (Rebecca Hall), in which photographer Peter Hujar (Ben Whishaw) narrates the events of the previous day in minute detail.

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The Latest

The glorious and forbidding Moroccan desert provides the backdrop for this extraordinary psychological journey from Oliver Laxe, a sensory experience of audacity and shock about a middle-aged father (Sergi López) searching for his missing daughter.

The nightmarish stresses of motherhood and work are pushed to their absurdist extremes in Mary Bronstein’s stellar piece of cinematic anxiety, starring a bravura Rose Byrne (Berlinale Silver Bear winner) as a woman on the verge of something far beyond a nervous breakdown.

Jim Jarmusch, Adam Driver, Vicky Krieps, Tom Waits, Indya Moore, and Luka Sabbat join NYFF selection committee member Florence Almozini to discuss this year’s Centerpiece selection.

Baumbach’s stellar character study gives looney his best film role in years, as—fittingly—the last great movie star, who may be harboring more regrets than he cares to admit.

Kathryn Bigelow, Tracy Letts, Jared Harris, Noah Oppenheim, Paul N.J. Ottosson, Kirk Baxter, and Volker Bertelmann join NYFF Artistic Director Dennis Lim to discuss A House of Dynamite which had its North American Premiere at the 63rd New York Film Festival. 

Scott Cooper and Jeremy Allen White joined NYFF programmer Rachel Rosen to discuss Springsteen: Deliver Me from Nowhere, the Spotlight Gala selection of the 63rd New York Film Festival.

Film Comment

Published since 1962, Film Comment magazine features in-depth reviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. Subscribe to the Film Comment Letter and the Film Comment Podcast.

Framed: Kelly Reichardt, Kent Jones, and Lucio Castro join from NYFF63 to discuss the temporality of cinema versus the other arts, the challenge of being a working artist, and the exquisite craft behind their new films

Class canceled: are the binders empty in Luca Guadagnino’s After the Hunt because the professors are full of shit, or is it just a continuity error?

Dirty work: Paul Thomas Anderson‘s tumultuous and funny One Battle After Another is not just energetic, but energizing

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