Slide The Secret Agent
New Release

The Secret Agent

Wagner Moura leads Kleber Mendonça Filho’s shape-shifting Cannes winner and New York Times Critic's Pick
Slide Kōzaburō Yoshimura: Tides of Emotion
Series

Kōzaburō Yoshimura: Tides of Emotion

December 5–11 with Opening Night Reception
Retrospective featuring rare 35mm and 16mm prints
Slide Resurrection
New Release

Resurrection

Bi Gan’s monumental love letter to cinema opens December 12
Slide Father Mother Sister Brother
New Release

Father Mother Sister Brother

Jim Jarmusch’s Venice Golden Lion winner opens December 24
Slide It Was Just an Accident
New Release

It Was Just an Accident

Jafar Panahi's Palme d'Or winner and New York Times Critic’s Pick
Slide Peter Hujar’s Day

Peter Hujar’s Day

Ira Sachs’s NYFF favorite is a New York Times Critic’s Pick
Slide The Mastermind
New Release

The Mastermind

Josh O’Connor concocts a heist in Kelly Reichardt’s NYFF favorite
Slide George Clooney Will Receive 51st Chaplin Award

George Clooney Will Receive 51st Chaplin Award

Monday, April 27, 2026

What’s On

Film

Kleber Mendonça Filho (Bacurau, NYFF57) returns with a thrillingly unpredictable, shape-shifting epic set in his hometown of Recife during the late 1970s, starring a magnetic Wagner Moura as a man on the run from his past. Winner, Best Director and Best Actor at Cannes.

Film

Iranian filmmaker Jafar Panahi reaffirms his status as one of this century’s great cinematic heroes in perhaps his bravest film yet, a tale of revenge and moral choice that won him the Palme d’Or at the 2025 Cannes Film Festival.

Film

Ira Sachs’s mesmerizing latest film is based on rediscovered transcripts from an unused 1974 interview by nonfiction writer Linda Rosenkrantz (Rebecca Hall), in which photographer Peter Hujar (Ben Whishaw) narrates the events of the previous day in minute detail.

Film

Against a Nixon-era backdrop of alienation and disillusionment, a taciturn family man (Josh O’Connor) makes the rash, largely inscrutable decision to orchestrate a heist at the local art museum in this restrained and often funny anti-thriller from Kelly Reichardt (Showing Up, NYFF60).

Series

December 5 - 11

A retrospective honoring an overlooked filmmaker from the golden age of Japanese cinema whose work has grown even more beautiful and profound with time, featuring rare 35mm and 16mm prints

Event

Free Event on December 11

Join Film Comment magazine editors and a panel of special guests for a real-time countdown of the results of Film Comment’s year-end critics’ poll.

Film

Opens December 12

This phantasmagoric dream machine from visionary Chinese director Bi Gan (Long Day’s Journey Into Night, NYFF56) is an elusive yet monumental love letter to a century of cinema, unfolding over five chapters that feature a dazzling array of styles and genres.

Film

Opens December 24

Winner of the Venice Film Festival Golden Lion, Jim Jarmusch’s perceptive study in familial dynamics stars Adam Driver, Mayim Bialik, Cate Blanchett, Vicky Krieps, Indya Moore, Luka Sabbat, Tom Waits, and Charlotte Rampling.

The Latest

One of Hollywood’s most influential figures, Clooney is widely admired for his multifaceted career as an actor, director, and producer, as well as for his global humanitarian work and reputation for humility, quick wit, and personal integrity. 

63rd New York Film Festival Talks featured a special conversation with members of the filmmaking team behind the NYFF63 selection BLKNWS: Terms & Conditions.

At the 63rd New York Film Festival, legendary New York City-based photographer Godlis welcomed directors, actors, and more to take portraits back stage at Alice Tully Hall.

We’re excited to continue FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema. The latest episode features director Ira Sachs discussing his latest film, Peter Hujar’s Day.

Film at Lincoln Center announces “Kōzaburō Yoshimura: Tides of Emotion,” a retrospective of 13 films by one of the most accomplished yet underappreciated figures of the golden age of Japanese cinema.

We’re excited to continue FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, with this episode featuring Nouvelle Vague

Film Comment

Published since 1962, Film Comment magazine features in-depth reviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. Subscribe to the Film Comment Letter and the Film Comment Podcast.

Times of mischief: the Brazilian auteur joins to discuss his latest, an endlessly inventive excavation of the specifics of past and place

Print tests: the renowned restorationist’s new collection provides a much-needed meta-analysis of the film-preservation discipline

Factory dreams: the artist-run collective L’Abominable imagines a future for the film laboratory in the ruins of the legendary French studio

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