From April 14-20, on the occasion of the release of BEAU IS AFRAID, Film at Lincoln Center is excited to present a curated selection of films handpicked by Ari Aster to complement the director’s highly anticipated new feature. This eclectic and unexpected collection of masterworks drawn from seven decades of film history across a range of genres and production contexts sheds light on the inspirations and influences behind one of the most compelling directorial voices in Hollywood today.

Ari Aster Selects tix go on sale at 3pm today, with pre-sale access now for FLC Members! Dive in at filmlinc.org/aster 🎟️

The first 250 people to purchase an All-Access Pass or 3+ Film Package for Ari Aster Selects by Monday, April 10, will receive a complimentary ticket to a special screening of BEAU IS AFRAID on Friday, April 21 at 6pm at AMC Lincoln Square, featuring a post-screening Q&A with Ari Aster. Act fast!

🎥 Complete schedule:

THE BIRDS | April 15 at 5:30pm

CLOSELY WATCHED TRAINS | April 14 at 6:30pm & April 20 at 8pm

COWARDS BEND THE KNEE | April 14 at 4pm & April 19 at 8:30pm

DEFENDING YOUR LIFE | April 16 at 6pm

INVENTION FOR DESTRUCTION | April 16 at 4pm & April 20 at 6pm

JOHNNY GUITAR | April 16 at 8:30pm

A MATTER OF LIFE AND DEATH | April 14 at 8pm

PLAYTIME | April 16 at 1:30pm

THE RIVER | April 19 at 8pm

WAKE IN FRIGHT | April 15 at 8:00pm & April 18 at 8:00pm

THE WOLF HOUSE | April 18 at 6:00pm

Plan your schedule for #NDNF52, running through April 9 at @themuseumofmodernart & @FilmLinc!

Comprised of 27 features and 11 shorts, you can see 5 films for only $50! Discount applied when adding five films to your cart.

Get 🎟️ → newdirectors.org

“When people ask me if I went to film school, I tell them, 'no, I went to films.'”

Happy 60th Birthday, Quentin Tarantino!

📸: Godlis, 1994, Opening Night of #NYFF32 (PULP FICTION)

Now on the FLC podcast and YouTube, watch/listen to our conversation with ENYS MEN director @mark_jenkin and actress Mary Woodvine ahead of the #NYFF60 selection's opening in our theaters on 3/31.

All screenings opening weekend will be presented on 35mm and Jenkin will be in person for a Q&A at the 6pm show on 3/31. Get tickets at filmlinc.org/enys

📸: @joppashotta

“In my films, I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.” - Agnès Varda

Lon Chaney and Tod Browning on the set of THE UNHOLY THREE, 1925.

The pinnacle of Browning’s signature brand of outré melodrama plays on 35mm tomorrow with live musical accompaniment during Unspeakable: The Films of Tod Browning!

Get tickets at filmlinc.org/browning

“The role of the artist is to not look away.”

Remembering the great Akira Kurosawa on his birthday today. 🎥

A Hong Sangsoo film playing daily at FLC? All is right in the world again!

WALK UP, an #NYFF60 selection, opens tomorrow in our theaters! Get showtimes and tickets at filmlinc.org/walk

Featuring baroque compositions by DP James Wong Howe, whose elaborate tracking shots inhabit a sinister atmosphere, and sly performances from Bela Lugosi and Carroll Borland, Tod Browning's MARK OF THE VAMPIRE is a must-see for fans of horror.

MARK OF THE VAMPIRE plays a final time tomorrow night on 35mm during Unspeakable: The Films of Tod Browning!

Get tickets at filmlinc.org/browning

You have until Sunday to see a multitude of essential Tod Browning films on 35mm during Unspeakable: The Films of Tod Browning!

Don't miss films from Browning whose influence can be seen in David Lynch, John Waters, Guillermo del Toro & David Cronenberg. Get tickets at filmlinc.org/browning

📸: @lklainberg

“She is one of the greatest actors of her generation… There’s nothing she cannot do.” - Steve McQueen

Join us on April 24 in celebrating Viola Davis' career at the 48th #ChaplinAward Gala! Reserve your seat for a night you won't forget at filmlinc.org/gala

📸: Dewey Nicks

In his penultimate collaboration with Priscilla Dean, Tod Browning weaves an intricate crime drama set against the backdrop of the Shanghai opium trade that also features a pivotal supporting performance from 18-year-old Anna May Wong, here in one of her first film roles.

The 4K restoration of DRIFTING plays tonight with live musical accompaniment and a final time on Friday.

Get tickets and All-Access Passes at filmlinc.org/browning

Now on the FLC podcast and YouTube, watch/listen to our conversation with RRR’s composer M.M. Keeravani, who recently won an Academy Award for Best Original Song for “Naatu Naatu.”

📸: @photojuice

"Don't think that because you haven't heard from me for a while that I went to sleep. I am still here, like a spirit roaming the night. Thirsty, hungry, seldom stopping to rest."

Happy Birthday, Spike Lee! 🔥

📸: Jesse Frohman, 1999

WHERE EAST IS EAST (dir. Tod Browning, 1929)

Unspeakable: The Films of Tod Browning continues through Sunday with 35mm screenings and live musical accompaniment! Limited $79 All-Access Passes & $39 Student All-Access Passes are still available.

Explore the lineup and get tickets at filmlinc.org/browning

Calling all freaks—Unspeakable: The Films of Tod Browning features 35mm prints, 4K restorations, live piano accompaniment, and more!

Now taking place through March 26 in our theaters! Get tickets at filmlinc.org/browning

"Loss will intervene. So will art. DRYLONGSO returns to us utterly, subtly, chidingly prescient." - @nytimes

Cauleen Smith's 1998 feature debut is a NYT Critic's Pick! The new 4K restoration opens tomorrow in our theaters with a director Q&A.

Don't miss this on the big screen and get tickets at ilmlinc.org/drylongso

Happy Birthday to the wonderful Isabelle Huppert! ❤️

📸: Guilherme Nabhan

For your consideration... 🧛

Tod Browning's DRACULA screens on 35mm this Saturday and next Sunday during Unspeakable: The Films of Tod Browning!

Get tickets and explore the lineup at filmlinc.org/browning

"I think of horror films as art, as films of confrontation."

Happy Birthday, David Cronenberg!

📸: Jean-Louis Atlan, 1991.

Carroll Borland in Tod Browning's THE MARK OF THE VAMPIRE, 1935.

The densely composed satire disguised as a vampire mystery screens on 35mm Saturday and on March 23 during Unspeakable: The Films of Tod Browning!

Get tickets at filmlinc.org/browning

DRYLONGSO's restoration poster (2023) and original poster (1998).

The new 4K restoration of Cauleen Smith's rich work of 1990s DIY filmmaking opens this Friday in our theaters with a director Q&A!

Get tickets at filmlinc.org/drylongso

Also this weekend, don't miss Cauleen Smith: Shorts Program I & II! Drawing from the rich lineages of structuralist filmmaking and Third Cinema, these two programs of shorts are vital in understanding the ethos of Smith's interdisciplinary work.

Paul Schrader behind the scenes on FIRST REFORMED, THE CARD COUNTER & MASTER GARDENER. 📽️

On May 17, don’t miss our double-feature of FIRST REFORMED & THE CARD COUNTER (Q&A with Paul Schrader) ahead of our May 19 opening of #NYFF60 selection MASTER GARDENER (Q&A with Paul Schrader, Joel Edgerton, and Sigourney Weaver).

Tickets go on sale on Tuesday, March 21 at noon, with early access for FLC Members beginning Monday, March 20 at noon.

Don’t miss out and mark your calenders at filmlinc.org/schrader

Academy Award-winners Ang Lee and Michelle Yeoh at #NYFF38 for CROUCHING TIGER, HIDDEN DRAGON. 💜

📸: @godlis, 2000

This week on the FLC podcast, listen to our #NYFF60 conversation with filmmaker Cauleen Smith on the making and restoration of DRYLONGSO, moderated by Director & President of the Academy Museum of Motion Pictures Jacqueline Stewart.

DRYLONGSO opens next Friday in our theaters (w/ Q&A) + one-night-only screenings of two programs comprised of Cauleen Smith’s short films!

Get tickets to all three and save at filmlinc.org/drylongso

The #NYFF60 Revivals presentation of DRYLONGSO was sponsored by @tcm.

📸: @seandiserio

On March 20, join us for a special screening of LOUIS ARMSTRONG'S BLACK AND BLUES, a magisterial tribute to a founding father of jazz, followed by a Q&A with director Sacha Jenkins, composer Terence Blanchard, moderated by writer Larry Blumenfeld!

Get tickets at filmlinc.org/blanchard

"A cool, quietly brilliant heartbreaker." - Manohla Dargis, @nytimes

Huang Ji and Ryuji Otsuka's STONEWALLING is a NYT Critic's Pick! Don't miss the #NYFF60 selection in our theaters, with filmmaker Q&As throughout the weekend.

Get tickets at filmlinc.org/stonewalling

Tomorrow at 4pm, don't miss the last free talk in this year's edition of Rendez-Vous with French Cinema!

Join filmmakers Christophe Honoré (WINTER BOY), Florent Gouëlou (THREE NIGHT A WEEK), Vuk Lungulov-Klotz (#NDNF52's, MUTT), and Georden West (PLAYLAND) for a special panel conversation about queer identities on screen.

More info at filmlinc.org/free

Happy Birthday, Juliette Binoche! 🌹

THE LOVERS ON THE BRIDGE (dir. Leos Carax, 1991)

The Oscar-nominated performances of Viola Davis:

• Mrs. Miller in DOUBT (Actress in a Supporting Role)
• Aibileen in THE HELP (Actress in a Leading Role)
• Rose in FENCES (Actress in a Supporting Role)
• Ma in ‘MA RAINEY'S BLACK BOTTOM (Actress in a Leading Role)

Celebrate Viola Davis's incredible body of work at the 48th #ChaplinAward Gala on April 24th! Reserve your seat for a night of guest speakers, including the EGOT winner herself, at filmlinc.org/gala.

Photo courtesy of @filmupdatesmain.

Directed by Rachid Hami & co-written by novelist Ollivier Pourriol, FOR MY COUNTRY follows the family of a French-Algerian military recruit, who tragically dies while being hazed, and their search for answers.

FOR MY COUNTRY plays tomorrow (w/ filmmaker Q&A) and Friday during Rendez-Vous with French Cinema. Get tickets at filmlinc.org/rdv

"You are always in the world. Even in VAGABOND. But in a way, we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women, there is something in revolt that is not expressed." - Agnès Varda

Happy International Women's Day! 💐

Tod Browning behind the scenes on DRACULA (1931). 🧛‍♂️

Unspeakable: The Films of Tod Browning, our retrospective on one of the most original & enigmatic filmmakers of his time, begins next week! Ft. 35mm prints, 4K restorations & live piano accompaniment!

Explore the lineup and get tickets at filmlinc.org/browning

With Huang Ji and Ryuji Otsuka’s STONEWALLING, an #NYFF60 selection, opening this Friday featuring filmmaker Q&As during opening weekend, we’re pleased to premiere two exclusive clips from the film, courtesy of @kimstim_films.

Get tickets and explore the Q&A schedule at filmlinc.org/stonewalling

"The one thing I feel is lacking in Hollywood today is an understanding of the beauty, the power, the sexuality, the uniqueness, the humor of being a regular Black woman."

Celebrate Viola Davis's career with the icon herself at the 48th #ChaplinAward Gala. One night only on April 24! Claim your seat at filmlinc.org/gala

Photos by Andre D. Wagner

“AU HASARD BALTHAZAR by way of Godfrey Reggio. A triumph of mythic expressionism. Symphonic, totally free filmmaking.” - Ari Aster on EO.

Jerzy Skolimowski's #NYFF60 selection and Best International Feature Film Nominee at the 95th Academy Awards continues its run in our theaters! See it on the big screen and get tickets at filmlinc.org/eo

Twelve-year-old Neneh wants to dance ballet—but, as a Black girl attempting to find a foothold in a historically white cultural milieu, the obstacles she faces seem overwhelming...

NANEH SUPERSTAR, an inspiring story about overcoming systemic disadvantages on the path to artistic achievement, plays tomorrow (w/ Q&A with director Ramzi Ben Sliman) and Thursday during Rendez-Vous with French Cinema!

Get tickets at filmlinc.org/rdv

Now on the FLC Podcast and our YouTube, watch/listen to our #NYFF60 conversation with STONEWALLING filmmakers Huang Ji & Ryuji Otsuka + a special Rendez-Vous with French Cinema programmers preview.

STONEWALLING opens this Friday in our theaters, with in-person Q&As with directors Huang Ji and Ryuji Otsuka during opening weekend, and special screenings of EGG AND STONE and THE FOOLISH BIRD.

See all three films and get a discount at filmlinc.org/stonewalling

📸: @seandiserio

Scenes from Opening Night of the 28th Rendez-Vous with French Cinema! ✨

Don’t miss additional filmmaker Q&As and free talks through next Sunday!

Explore the lineup and get tickets at filmlinc.org/rdv

📸: @photojuice

Spring is around the corner and so is a plethora of exciting programming at FLC! 🌸 Including a Paul Schrader series, ENYS MEN, Jean Eustache, Apichatpong Weerasethakul, Marco Ferreri retrospectives, and so much more:.

Explore the full spring slate filmlinc.org/23Q2

- Rendez-Vous with French Cinema | Through March 12! | 🎟️: filmlinc.org/rdv

- STONEWALLING (dir. Huang Ji and Ryuji Otsuka) | Opens March 10 | Q&As on 3/10, 3/11, 3/12 | 🎟️: filmlinc.org/stonewalling

- EGG AND STONE (3/11) and THE FOOLISH BIRD (3/12)

- DRYLONGSO (dir. Cauleen Smith) | 4K Restoration | Q&A on 3/17 | 🎟️: filmlinc.org/drylongso

- Cauleen Smith’s Shorts Program I (3/17) & II (3/19)

- Unspeakable: The Films of Tod Browning | March 17-26 | 🎟️: filmlinc.org/browning

- An Evening with Terence Blanchard: Louis Armstrong’s Black and Blues | March 20 | 🎟️: filmlinc.org/blanchard

- WALK UP (dir. Hong Sangsoo) | Opens March 24

- New Directors/New Films | March 29-April 9 | 🎟️: newdirectors.org

- ENYS MEN (dir. Mark Jenkin) | Opens March 31 with BAIT (dir. Mark Jenkin) | 35mm

- PASSION (dir. Ryûsuke Hamaguchi, 2008) | Opens April 14

- OTHER PEOPLE'S CHILDREN (dir. Rebecca Zlotowski) | Opens April 21

- TRENQUE LAUQUEN (dir. Laura Citarella) | Opens April 21

- TWILIGHT/SZÜRKÜLET (dir. György Fehér, 1990) | New 4K Restoration | Opens April 21

- THE EIGHT MOUNTAINS (dir. Felix van Groeningen and Charlotte Vandermeersch) | Opens April 28

- Apichatpong Weerasethakul Retrospective | May 4-14

- CHILE '76 (dir. Manuela Martelli) | Opens May 5

- UNREST (dir. Cyril Schäublin) | Opens May 5

- New York @africanfilmfest | May 10-16

- Paul Schrader Double Feature: FIRST REFORMED + THE CARD COUNTER | May 17 (Q&A)

- MASTER GARDENER (dir. Paul Schrader) | Opens May 19

- Human Rights Watch Film Festival | May 31 - June 6

- Open Roads: New Italian Cinema | June 1-8

- Marco Ferreri Retrospective | June 9-22

- BLUE JEAN (dir. Georgia Oakley) | Opens June 9

- SCARLET (dir. Pietro Marcello) | Opens June 9

- REVOIR PARIS (dir. Alice Winocour) | Opens June 23

- THE MOTHER AND THE WHORE (dir. Jean Eustache) | 4K Restoration | Opens June 23

- Jean Eustache Retrospective | Begins July 7

The 28th Rendez-Vous with French Cinema, co-presented with @unifrance, is now taking place through March 12! 🇫🇷

Don't miss your first look at the best in contemporary French film, filmmaker Q&As, free talks, and more: filmlinc.org/rdv

“Though I feel like I say this every year, about this ultimate festival for Francophiles...this year’s offerings are possibly the strongest in terms of quality and cinematic audacity.” - @screenanarchy

The 28th Rendez-Vous with French Cinema begins tomorrow!

Get tickets: filmlinc.org/rdv

"I have no idea what happened, I have no idea what I saw, all I know is that I left the theater floating six feet above the ground." - Jacques Rivette (#BOTD) after seeing David Lynch's TWIN PEAKS.

Hong Sangsoo's WALK UP, an #NYFF60 selection, opens March 24! Tickets on sale soon at filmlinc.org/walk

Tomorrow at 5pm, don't miss our Free Talk with director Alice Winocour, whose Rendez-Vous with French Cinema Opening Night selection, REVOIR PARIS, probes the inner workings of memory, grief, and hope.

Join moderator and filmmaker Sophia Barthes in diving into Winocour's filmography and process. Get more info at filmlinc.org/free

Prefiguring the concerns of Claire Denis’s later films (BEAU TRAVAIL, WHITE MATERIAL) and establishing the tactile sensuality and elliptical style for which she is known, CHOCOLAT is a must-see on the big screen.

The 4K restoration continues its run in our theaters! Get tickets at filmlinc.org/chocolat

Co-presented with @themuseumofmodernart, we're excited to announce the 52nd New Directors/New Films, taking place March 29 - April 9.

Explore this year's lineup of celebrated filmmakers who speak to the present and anticipate the future of cinema at newdirectors.org

Tickets will go on sale to the general public on Monday, March 6, with early-access opportunities for
@themuseumofmodernart & @filmlinc members on Friday, March 3. 5-Film Packages and VIP Passes will be available.

“Genre helps you to tell a story without being too frontal. I found that incorporating Japanese mythology into THE GRAVITY made sense alongside science fiction. It was the best way to tell this story.” - THE GRAVITY director Cédric Ido

THE GRAVITY plays in our theaters this Saturday (Q&A with Cédric Ido) & Monday during Rendez-Vous with French Cinema.

Get tickets at filmlinc.org/rdv

Calling all filmmakers: short film (40 minutes or less) submissions for the 61st New York Film Festival are now open through May 5.

We’ll see you at #NYFF61, taking place September 29 - October 15! Learn more at filmfreeway.com/NYFF

📸: David Godlis, 1986 during #NYFF24

As RETURN TO SEOUL continues its run in theaters, revisit our conversation from #NYFF60 with director Davy Chou, lead Park Ji-Min, and New York Film Festival Artistic Director Dennis Lim, now on the FLC podcast and our YouTube!

📸: @seandiserio

🔥 Lowlight in EO. 🔥

Limited tickets remain for tonight's 7pm screening of the Oscar-nominated film, followed by a Q&A with director Jerzy Skolimowski and co-writer Ewa Piaskowska (mod. Bilge Ebiri).

Get tickets at filmlinc.org/eo

Philippe Garrel’s THE PLOUGH, winner of the Silver Bear for Best Director at #Berlinale2023, plays March 4 & 12 at Rendez-Vous with French Cinema! ✨

Paying tribute to the director’s late father’s background as a puppeteer, Garrel’s new film centers on Simon (Aurélien Recoing), the aging head of a puppet troupe who works alongside his children, all played by members of Philippe’s own family: son Louis (Louis Garrel) and daughters Martha (Esther Garrel) and Lena (Lena Garrel). A rare film in color from Garrel, THE PLOUGH reaffirms his status as one of the great contemporary directors of actors, drawing on impeccably naturalistic performances while delving fearlessly into the tense dynamics of familial bonds and romantic ties.

Congrats to tonight’s César Award winners that will be coming to Rendez-Vous with French Cinema starting next week! Grab your seats—tickets are going fast. 🇫🇷 🎟️

BEST FILM
THE NIGHT OF THE 12TH

BEST DIRECTOR
Dominik Moll, THE NIGHT OF THE 12TH

BEST ACTRESS
Virginie Efira, REVOIR PARIS

BEST SUPPORTING ACTRESS
Noemie Merlant, THE INNOCENT

BEST SUPPORTING ACTOR
Bouli Lanners, THE NIGHT OF THE 12TH

BEST FEMALE NEWCOMER
Nadia Tereszkiewicz, FOREVER YOUNG

BEST MALE NEWCOMER
Bastien Bouillon, THE NIGHT OF THE 12TH

BEST ORIGINAL SCREENPLAY
Louis Garrel, Tanguy Viel, Naïla Guiguet, THE INNOCENT

BEST ADAPTED SCREENPLAY
Gilles Marchand, Dominik Moll, THE NIGHT OF THE 12TH

BEST SOUND
François Maurel, Olivier Mortier, Luc Thomas, THE NIGHT OF THE 12TH

Albert Serra’s PACIFICTION, which won Best Actor (Benoit Magimel) and Best Cinematography, is also playing daily at FLC!

#cesarawards #thenightofthe12th #theinnocent #revoirparis #foreveryoung #pacifiction

Behind the scenes on Alice Diop’s SAINT OMER.

The extraordinary #NYFF60 selection and NYT Critic’s Pick closes tomorrow in our theaters.

Get tickets at filmlinc.org/saint

Café Paradiso, a new Italian American kitchen located in Elinor Bunin Munroe Film Center, is now open 8am-5pm daily! ✨🇮🇹

FLC Members and ticketholders get 10% off. Stop by before your next movie! 🍝 Explore the menu at filmlinc.org/paradiso

The stunning 4K restoration of Claire Denis's directorial debut, the semi-autobiographical CHOCOLAT, opens this Friday at Film at Lincoln Center!

Based on Denis's childhood in colonial French Africa as the daughter of a civil servant, the film follows France (Mireille Perrier) who reminisces about her childhood in Cameroon as her father (François Cluzet) comes and goes on call, which leads to the strengthening of her friendship with their devoted house servant, Protée (Isaach de Bankolé), and to the escalating sexual tension between him and her mother, Aimée (Giulia Boschi). As Protée increasingly becomes an object of desire and of scorn, France’s memories become more and more ambivalent. Prefiguring the concerns of Denis’s later films (BEAU TRAVAIL, WHITE MATERIAL) and establishing the tactile sensuality and elliptical style for which she is known, CHOCOLAT today stands as a modern classic.

Get tickets at filmlinc.org/chocolat

Congrats to Daniels on their DGA Award win! ✨

Watch their Q&A from our series 'Verse Jumping with Daniels, discussing creating the world of EVERYTHING EVERYWHERE ALL AT ONCE and finding joy in the filmmaking process, available on the Film at Lincoln Center Podcast or our YouTube channel.

📸: @photojuice

Equally evoking the aliens-versus-gangs thriller ATTACK THE BLOCK and Ladj Ly’s Oscar-nominated Cannes winner LES MISÉRABLES, don't miss Cédric Ido's THE GRAVITY at Rendez-Vous with French Cinema 2023! 🇫🇷

Plays March 4 (with director Q&A) and March 6. Get tickets at filmlinc.org/rdv

As eight planets prepare to enter an auspicious alignment, drug dealer Christophe (Jean-Baptiste Anoumon) returns home to the housing projects after serving time in prison, only to find that the familiar milieu has changed in his absence. His friend Daniel (Max Gomis) has gone straight, pursuing a career as a professional runner, while Christophe’s brother, Joshua (Steve Tientcheu), now paralyzed from the waist down, has continued to sell narcotics. Shooting in his hometown of Seine-Saint-Denis, French-Burkinabe actor and writer-director Cédric Ido puts a sci-fi twist on this gritty, up-to-the-minute crime saga as the planetary configuration wreaks unexpected mental havoc on the towers’ residents.

As PACIFICTION opens today in our theaters, revisit our conversation from #NYFF61 with director Albert Serra on the making of Cahiers du Cinéma’s #1 Film of 2022—now on our YouTube and podcast!

Get tickets to PACIFICTION and don’t miss in-person appearances with Serra all weekend: filmlinc.org/pacifiction

📸: @seandiserio

We're delighted to announce Café Paradiso, a new Italian American kitchen, will open at Elinor Bunin Munroe Film Center this Tuesday! 🇮🇹🍝

FLC Members and ticketholders get 10% off! Stop by after your next screening and explore the menu at filmlinc.org/paradiso

Café Paradiso represents a merger of two cultures – Italian and American – with love. Conceived, built, and run by a mixture of 35 years of living in Italy in Pietrosante, an artist community outside of Florence, and being raised in the Bronx. Café Paradiso is open for breakfast, lunch, and dinner. Enjoy our pastries and espresso for breakfast, our salads and sandwiches for lunch or our pizzas and pastas for dinner. Come visit us at Café Paradiso to experience a unique blend of Italian American.

We're thrilled to announce Unspeakable: The Films of Tod Browning, a retrospective of the pioneering filmmaker’s career consisting of 17 films presented almost entirely on 35mm, running from March 17-26!

Browning ranks among the most original and enigmatic filmmakers of his time, described as one of cinema’s thorniest humanists as well as “the first diabolist of the cinema,” whose influence can be seen in the work of David Lynch, John Waters, Guillermo del Toro, and David Cronenberg.

The retrospective features DRACULA, FREAKS, THE UNHOLY THREE, THE UNKNOWN, both versions of OUTSIDE THE LAW & many more, along with live piano accompaniment by Donald Sosin at select screenings.

Tickets go on sale on Thursday, February 23 at noon, with early access for FLC Members beginning Wednesday, February 22 at noon. See more and save with a 3+ Film Package. Limited All-Access Passes also available.

Learn more at filmlinc.org/browning 🧛

We're delighted to welcome Virginie Efira in person at Rendez-Vous with French Cinema 2023 for Alice Winocour's Opening Night selection REVOIR PARIS, Rebecca Zlotowski's OTHER PEOPLE'S CHILDREN, and a Free Talk!

Limited tickets remain for the festival, beginning March 2. Reserve your seats & learn more at filmlinc.org/rdv 🇫🇷

"All the dead lead me back to Jacques. Every tear, every flower, every rose, and every begonia is a flower for Jacques." - Agnès Varda

♥️🌹 Happy Valentine's Day! 🌹♥️

"One of the most beautiful and rigorously introspective movies of this or any year, a film that makes you deeply ponder the fate of humanity itself." - IndieWire

Albert Serra's PACIFICTION, an #NYFF60 selection, opens next Friday in our theaters with in-person Q&As and intros during opening weekend.

Get tickets at filmlinc.org/pacifiction

R.I.P. Carlos Saura (1932 - 2023)

"For me, the cinema is a type of drug, an obsession. What I like is that it is a solitary pleasure."

Second pic: Saura with Luis Buñuel in the 1960s.

Taking place through Monday in our theaters, the 51st Dance on Camera Festival, co-presented with @dancefilms, showcases a rich international collection of films that offer insightful profiles of visionary artists and dancers. 💃

Don't miss the free programs and filmmaker Q&As! Get tickets at filmlinc.org/dance

“I wanted to go to Jupiter. That was my plan from day one, and David Lynch gave me the ticket.”

Happy Birthday, Laura Dern! ✨

Seen here behind the scenes on WILD AT HEART, 1990.

Featuring visually stunning films, including MOTHER MELANCHOLIA, THE CELL, and TRANSPARENT, Program 3: Global Shorts highlights dance films from around the world exploring the human experience through dance choreography.

Program 3: Global Shorts screens one time only this Saturday during Dance on Camera! Get tickets at filmlinc.org/dance

“Unsurprisingly, rewatching this in a theater inspired us to start writing EVERYTHING EVERYWHERE. Take the red pill! [also f*ck the alt-right (and long live the Wachowski Queens!)]” — Daniels

THE MATRIX screens tonight during a 35mm double-feature with KUNG FU HUSTLE during the last night of ’Verse Jumping with Daniels!

Get tickets at filmlinc.org/daniels

We’re thrilled to announce Viola Davis as the recipient of the 48th #ChaplinAward, to be presented at a gala honoring her on April 24th! The evening encompasses a joyful celebration of the actor and producer’s incredible body of work featuring notable speakers and film clips, culminating in the presentation of the Chaplin Award.

Davis is a critically revered, award-winning actress, producer, New York Times best-selling author and one of 18 entertainers to achieve exclusive EGOT status. She most recently won a Grammy for her audiobook, Finding Me, an Academy Award® (FENCES), and an Emmy (How to Get Away with Murder), and she is the first Black actress to win two Tony Awards (FENCES and King Hedley II).

The Chaplin Award Gala is the most important fundraising event of the year for Film at Lincoln Center, with all proceeds benefiting the organization in its mission to support the art and craft of cinema.

Reserve your seats: filmlinc.org/gala

GIVEAWAY: The first 20 people who attend tonight's 35mm double-feature of DRUNKEN MASTER II and FIGHT CLUB will be entered to win a FIGHT CLUB Original Motion Picture Soundtrack vinyl signed by Daniels!

The fun doesn't stop there! The first three people at each remaining 'Verse Jumping with Daniels screening will receive a signed EVERYTHING EVERYWHERE ALL AT ONCE poster.

Get tickets at filmlinc.org/daniels

Nominated for Best International Feature Film at the 95th Academy Awards, winner of the 2022 Cannes Jury Prize, and an #NYFF60 selection, there’s no doubt that EO is one of the best films from last year.

Director Jerzy Skolimowski and co-writer Ewa Piaskowska return to FLC for a Q&A on Feb. 27! Get tickets at filmlinc.org/eo

“There's people who live life authentically and there's people who live a life of fabrication.”

Happy Birthday, Michael Mann! Seen here behind the scenes on HEAT, 1995.

From classic king fu films to experimental animation, ‘Verse Jumping with Daniels features an eclectic lineup spanning the influences behind the directing duo.

Taking place through Thursday, don’t miss in-person appearances, 35mm screenings, and more: filmlinc.org/daniels

📸: @photojuice

"Making a movie is casting a spell."

🔥 Happy Birthday, Kenneth Anger! 🔥

Remembering the great avant-garde Czech filmmaker Věra Chytilová on her birthday. 🌹

The great Claire Denis made her debut with this semi-autobiographical feature, based on her childhood in colonial French Africa as the daughter of a civil servant. Prefiguring the concerns of Denis’s later films (BEAU TRAVAIL, WHITE MATERIAL) and establishing the tactile sensuality and elliptical style for which she is known, CHOCOLAT today stands as a modern classic.

The new 4K restoration opens Feb. 24 in our theaters. Get tickets at filmlinc.org/chocolat

Everything begins tomorrow... ✨👁️✨

’Verse Jumping with Daniels, our series curated by the dynamic directing duo, kicks off tomorrow with screenings of their Oscar-nominated EVERYTHING EVERYWHERE ALL AT ONCE at 3pm and 6pm (w/ Daniels & producer Jonathan Wang Q&A—standby only)!

Explore the lineup and get tickets at filmlinc.org/daniels

"Think of Skolimowski at this stage of his career and life as a filmmaker happily grazing, indulging in an animal need for cinema." - @lwlies

Jerzy Skolimowski's Academy Award-nominated #NYFF60 selection, EO, continues its run in our theaters!

Get showtimes and tickets at filmlinc.org/eo

"Y'all wanna get weird?"

Featuring an original score by Manchester Orchestra and cinematography from Ashley Connor, Daniel Scheinert's THE DEATH OF DICK LONG is a richly textured, Coen-esque portrait of small-town secrecy and middling garage rock, which doesn’t mock its characters so much as behold them with arm’s-length sympathy.

The darkly funny thriller plays this Sunday at 3:15pm during 'Verse Jumpng with Daniels, followed by a Q&A with director Daniel Scheinert!

Get tickets at filmlinc.org/daniels

Nominated for Best International Feature at the 95th Academy Awards, Lukas Dhont’s CLOSE is an emotionally transformative and unforgettable portrait of two thirteen-year-old best friends. Now on our YouTube and the FLC Podcast, watch/listen to our conversation with the filmmaker from a recent Patron screening, moderated by critic Thelma Adams.

Our conversation with CLOSE director Lukas Dhont took place in our theaters following a special screening for FLC Patrons. Interested in supporting FLC and becoming a member? Explore member benefits at filmlinc.org/members.

📸: @photojuice

“One finds oneself in front of a cinema poem—Alice’s language, in the history of the language of cinema to which it belongs, but also in her own history, is dangerous and radiant.” - Céline Sciamma after comparing the experience of watching SAINT OMER to what it must have been like watching Chantal Akerman’s JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES in 1975. (Via @nytimes)

Alice Diop's SAINT OMER, an #NYFF60 selection, continues its run in our theaters! Get tickets at filmlinc.org/saint

Earning 11 nominations at the 95th Academy Awards, including Best Picture, Daniels' gleefully maximalist second feature demands to be seen on the big screen.

An additional screening of EVERYTHING EVERYWHERE ALL AT ONCE has been added this Friday at 3pm during 'Verse Jumping with Daniels! Get tickets at filmlinc.org/eeaao

“There’s no one like Roy Andersson. A series of unforgettable, sad, beautiful, moving paintings we can’t wait to put on the big screen.” — Daniels

Roy Andersson's SONGS FROM THE SECOND FLOOR, Special Jury Prize winner at the 2000 Cannes Film Festival, plays one time only on Feb. 7 during 'Verse Jumping with Daniels.

Get tickets at filmlinc.org/daniels

Featuring a perceptive and nuanced performance from Vicky Krieps as Empress Elizabeth of Austria, Marie Kreutzer's CORSAGE reimagines the late-19th-century world within the Austro-Hungarian Empire with both austere realism and fanciful anachronism.

The #NYFF60 selection closes Thursday in our theaters! Don't miss the chance to see it on the big screen and get tickets at filmlinc.org/corsage

We're excited to announce the official lineup for the 28th Rendez-Vous with French Cinema, co-presented with @unifrance, taking place March 2-12.

Explore the best in contemporary French cinema, filmmaker Q&As, and free talks at filmlinc.org/rdv23.

- REVOIR PARIS (dir. Alice Winocour) | Opening Night Film | 3/2 (intro w/ Winocour and Virginie Efir)

- BROTHER AND SISTER (dir. Arnaud Desplechin) | 3/5 (Q&A w/ Melvil Poupaud), 3/7

- DIARY OF A FLEETING AFFAIR (dir. Emmanuel Mouret) | 3/3, 3/6

- THE FIVE DEVILS (dir. Léa Mysius) | 3/4 (Q&A w/ Mysius), 3/8

- FOR MY COUNTRY (dir. Rachid Hami) | 3/9 (Q&A w/ Hami), 3/10

- FOREVER YOUNG (dir. Valeria Bruni Tedeschi) | 3/5, 3/10

- THE GRAVITY (dir. Cédric Ido) | 3/4 (Q&A w/ Ido), 3/6

- THE GREEN PERFUME (dir. Nicolas Pariser) | 3/8 (Q&A w/ Pariser), 3/11

- HARKIS (dir. Philippe Faucon) | 3/3, 3/9

- THE INNOCENT (dir. Louis Garrel) | 3/4 (Q&A w/ Garrel), 3/8

- MOTHER AND SON (dir. Léonor Serraille) | 3/6 (Q&A w/ Serraille), 3/8

- NENEH SUPERSTAR (dir. Ramzi Ben Sliman) | 3/7 (Q&A w/ Sliman), 3/9

- THE NIGHT OF THE 12TH (dir. Dominik Moll) | 3/7, 3/10 (Q&A w/ Moll)

- THE ORIGIN OF EVIL (dir. Sébastien Marnier) | 3/3 (Q&A w/ Marnier), 3/11

- OTHER PEOPLE'S CHILDREN (dir. Rebecca Zlotowski) | 3/3 (Q&A w/ Zlotowski & Virgine Efira), 3/12

- THE PLOUGH (dir. Philippe Garrel) | 3/4 (Intro w/ Louis Garrel), 3/12

- SATURN BOWLING (dir. Patricia Mazuy) | 3/5 (Q&A w/ Mazuy), 3/6

- SMOKING CAUSES COUGHING (dir. Quentin Dupieux) | 3/10, 3/12

- THREE NIGHTS A WEEK (dir. Florent Gouëlou) | 3/11 (Q&A w/ Gouëlou), 3/12

- WINTER BOY (dir. Christophe Honoré) | 3/9, 3/11 (Q&A w/ Honoré)

- THE WORST ONES (dir. Lise Akoka and Romane Gueret) | 3/5 (Q&A w/ Akoka & Matthias Jacquin), 3/7

- FREE TALK: Alice Winocour and Sophie Barthes | 3/2

- FREE TALK: Virginie Efira | 3/3

- FREE TALK: Louis Garrel and Owen Kline | 3/4

- FREE TALK: Queer Identities On Screen | 3/10

Tickets to Rendez-Vous with French Cinema 2023 go on sale Tuesday for FLC Members and Thursday for the general public. Limited amounts of Student All-Access Passes will be available for $39. Learn more at filmlinc.org/rdv23

Vicky Krieps is a "virtuoso of stillness, and at times she brings to mind old Hollywood sphinxes like Garbo and Dietrich, whose inscrutable faces worked like wonderful screens on which you could project whatever fantasies you wanted." - @nytimes

Marie Kreutzer's CORSAGE, an #NYFF60 selection and NYT Critic's Pick, continues its run in our theaters! Get tickets at filmlinc.org/corsage

Jerzy Skolimowski's Academy Award-nominated EO continues its run in our theaters! Don't miss the #NYFF60 selection on the big screen and get tickets at filmlinc.org/eo

Now on our YouTube channel and the FLC Podcast, watch/listen to our #NYFF60 conversation with filmmaker Mia Hansen-Løve on the making of ONE FINE MORNING, which opens this Friday in our theaters!

Explore showtimes and get tickets at filmlinc.org/morning

📸: @juliecfoto

"Beautifully balanced, persuasive and moving…a delicate look at a mother, daughter, and lover whose quotidian existence is instantly recognizable yet sublime." - @nytimes

Mia-Hansen-Løve's ONE FINE MORNING, an #NYFF60 selection, opens this Friday in our theaters.

Get tickets at filmlinc.org/morning

“The word 'griot' is the word for what I do and the role that the filmmaker has in society. The griot is a messenger of one’s time, a visionary, and the creator of the future.”

Remembering the iconic filmmaker, Djibril Diop Mambéty, on his 78th birthday. 🔥

The 32nd New York Jewish Film Festival continues through Saturday with virtual screenings of Mordechai Vardi's BARREN and Esther Takac's THE NARROW BRIDGE!

See both films and save with the NYJFF Virtual Bundle at nyjff.org

"Going to the cinema is like returning to the womb; you sit there, still and meditative in the darkness, waiting for life to appear on the screen." - Federico Fellini (#BOTD)

Seen here with Marcello Mastroianni and Sophia Loren behind the scenes on 8 1/2, 1963.

“In a sense, all film is entering into someone else’s dreams. Maybe we can even share the same dreams, exchange the same experiences.”

Happy Birthday, David Lynch! 💜

R.I.P. Yoon Jeong-hee (1944-2023)

Here in Lee Chang-dong’s POETRY, 2010.

Dance on Camera, the longest-running dance film festival in the world, returns February 10-13 with 13 programs representing films from 35 countries, filmmaker Q&As, and free events!

Get All-Access Passes and tickets at filmlinc.org/dance

"The narrative is to record this skin, these bodies, in a place where they are still barely visible. That’s what’s contemporary: moving from off-screen to the centre of the image, but with an aesthetic power. The aesthetic of the film is political to me. These bodies haven’t been filmed much, these women rarely seen, I want to offer them cinema as a space where we can no longer escape their gaze, without it being too stylised.

The first references I sent to Claire Mathon, the film’s DP, were paintings. I think we were revolving around the idea of inscribing the pictoriality of these bodies in the history of cinema. 'La Belle Ferronière' by Leonardo Da Vinci was one [fourth photo], some Rembrandts, black models painted by Cézanne, and one that struck me at the MET, 'Grape Wine' by Andrew Wyeth [second photo], the portrait of a black vagabond, painted as Titian might have done." - Director Alice Diop on the aesthetics of SAINT OMER.

SAINT OMER, an #NYFF60 selection and France's Oscar entry, continues to play daily in our theaters. Don't miss one of the best films of 2022 on the big screen and get tickets at filmlinc.org/saint

We’re excited to announce the official dates for the 61st New York Film Festival, taking place September 29 - October 15, along with additional #NYFF61 updates. Read the full release at filmlinc.org/nyff2023

- FLC’s Matt Bolish has been named the newly created position of Managing Director of #NYFF. In this role, Bolish will work closely with Artistic Director Dennis Lim, who oversees the curation and programming process, to produce the world-renowned event.

- Film critic Justin Chang (@justincchang) has been appointed to the #NYFF Main Slate and Spotlight selection committees.

“Justin’s love & knowledge of cinema are evident in everything he writes, and I’m excited for him to bring his curiosity, generosity, and insights to our programming process.” - Dennis Lim

- In an effort to expand training for emerging professionals intending to pursue a career in film festival programming, @filmlinc has created an NYFF Programming Fellowship (April 15 - Oct. 15). Applications will be accepted through Feb. 15!

- Open call for short film submissions for #NYFF61 will take place Feb. 27 - May 5. NYFF is noncompetitive and all sections are curated by a selection committee. Only short films (40 minutes or less) are accepted through our @filmfreeway.

Want to be the first to get #NYFF61 tickets? Become a @filmlinc Member for NYFF pre-sale access + additional benefits throughout the year at filmlinc.org/member.

Read the full release and access links at filmlinc.org/nyff2023

Just announced! This Wednesday, join Vicky Krieps at Q&As at the World Premiere of Delphine and Muriel Coulin's CHARLOTTE SALOMON: LIFE AND THE MAIDEN, the Centerpiece selection at the 2023 New York Jewish Film Festival. Krieps and the directors will participate at Q&As at both the noon and 6pm screenings. 🎤

Limited tickets available at filmlinc.org/charlotte 🎟️

The extraordinary life of artist Charlotte Salomon has inspired novels, plays, operas, ballets, and even an animated film. This new documentary by Delphine Coulin and Muriel Coulin offers an intimate and expansive new look at the young woman who, though she was murdered in Auschwitz at age 26, completed an astounding amount of art, including some 1,300 paintings, before her deportation. Narrated as though from her own voice and featuring a cascade of her images, the film delves into her youth in Berlin, her escape to the south of France after the rise of the Nazis, her love affair with a music teacher, and the creative explosion that resulted in her brilliant body of multimedia work—ahead-of-their-time creations mixing gouache, text, and music. The film features the voices of Vicky as Krieps, Mathieu Amalric, and Hanna Schygulla.

📸: @mettieostrowski

ONE FINE MORNING, Mia Hansen-Løve's intensely poignant and deeply personal drama, stars Léa Seydoux as a professional translator and single mother at a crossroads, torn between the romantic desire she feels for a married man and her obligation towards her sick father.

The #NYFF60 selection opens Jan. 27 in our theaters! Get tickets at filmlinc.org/morning