Now Through May 31
Il Bello Marcello
The Latin lover, the quintessential continental, the world weary Don Giovanni: for over five decades Mastroianni epitomized and complicated onscreen masculinity, and remains a key symbol of postwar Italian cinema.
Films of the Week: Cannes – Week 1
The exception rules: the free spirits (and auteurism) of Claire Denis’s Let the Sunshine In, Arnaud Desplechin’s Ismael’s Ghosts, and Mathieu Amalric’s Barbara