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Through July 27

Talking Pictures: The Cinema of Yvonne Rainer

Rainer’s cinema signaled new possibilities for film language, retooling narrative generally and melodrama specifically with a disjunctive audiovisual syntax, restless political intelligence, deft appropriation, and deadpan wit.
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Kékszakállú

The new film from Argentinian director Gastón Solnicki (Papirosen) is a singularity: a playful portrait of spiritual lethargy. Partly inspired by Béla Bartók’s opera Bluebeard’s Castle. this is a joyful experience, moving inexorably toward liberation.
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The B-Side: Elsa Dorfman’s Portrait Photography

Errol Morris’s masterful and surprising new film is simplicity itself: a visit to the studio of his friend, the 20x24 Polaroid portrait photographer Elsa Dorfman.
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The Close-Up: Dunkirk and Landline

By Michael Odmark
Apply for the 2017 NYFF Critics Academy
By Jordan Raup
Go Deeper into Nocturama, Beginning August 18
By Jordan Raup
Photos: Sofia Coppola, Human Rights Watch Film Festival, and More!
By Samantha Walsh

Photo Galleries

Film Comment From the writers and editors at Film Comment magazine

Film of the Week: Dunkirk

By Jonathan Romney

Shellshocked: Christopher Nolan's spectacular World War II film pulls you into the confusion of war while avoiding hero worship

Deep Focus: Valerian and the City of a Thousand Planets
By Michael Sragow
Cinema ’67 Revisited: Up the Down Staircase
By Mark Harris