Marie Kreutzer & Vicky Krieps have created a remarkable vision of a strong-willed woman and political figure whose emergence from a veiled, corseted existence is a force to be reckoned with.

Before it opens on Dec. 23., watch CORSAGE before everyone else during our sneak previews on Dec. 15 with in-person appearances from Kreutzer & Krieps and a special reception!

Get tickets at filmlinc.org/corsage

A spellbinding synthesis of the courtroom drama and the psychological thriller, Yoshimitsu Morita's KEIHO follows a young actor as he stands trial for a gruesome double murder—but his strange behavior in custody makes the police and criminal psychologists alike suspicious that there’s more to this story than meets the eye...

KEIHO plays tomorrow at 6:30pm! Get tickets at filmlinc.org/morita

(c)1999 Shochiku Co., Ltd./KOUWA INTERNATIONAL

Presented by @thejewishmuseum and @filmlinc, we’re happy to announce the lineup for the 32nd annual New York Jewish Film Festival (NYJFF), taking place January 12-23.

The 2023 edition will feature in-person and virtual screenings of 29 wide-ranging and exciting features and shorts, including the latest works by dynamic voices in international cinema. Explore the lineup and learn more at filmlinc.org/nyjff2023

- AMERICA (dir. Ofir Raul Graizer) | Opening Film | Jan. 12
- CHARLOTTE SALOMON: LIFE AND THE MAIDEN (dir. Delphine Coulin and Muriel Coulin) | Centerpiece | Jan. 18
- ALGERÍA (dir. Violeta Salama) | Closing Film | Jan. 22
- BARREN (dir. Mordechai Vardi) | Virtual: Jan. 23
- EXODUS 91 (dir. Micah Smith) | Jan. 22
- FAREWELL, MR. HAFFMANN (dir. Fred Cavayé) | Jan. 12 & 16
- HAUTE COUTURE (dir. Sylvie Ohayon) | Jan. 19 & 21
- I AM NOT (dir. Tomer Heymann) | Jan. 12
- I LIKE IT HERE (dir. Ralph Arlyck) | Jan. 15
- JEWS OF THE WILD WEST (dir. Amanda Kinsey) | Jan. 15
- JUNE ZERO (dir. Jake Paltrow) | Jan. 15
- KRZYSZTOF WODICZKO: THE ART OF UN-WAR (dir. Maria Niro)| Jan. 14
- MARCH ‘68 (dir. Krzysztof Lang) | Jan. 16 & 17
- THE NARROW BRIDGE (dir. Esther Takac) | Virtual: Jan. 23
- SCHÄCHTEN—A RETRIBUTION (dir. Thomas Roth) | Jan. 19 & 21
- SHTTL (dir. Ady Walter) | Jan. 16 & 17
- THIS IS NATIONAL WAKE (dir. Mirissa Neff) | Jan. 14
- WHERE LIFE BEGINS (dir. Stéphane Freiss) | Jan. 17 & 18
- YAMNA’S BLESSING (dir. Ilanit Swissa) | Preceded by SUSAM (dir. Morhayim) | Jan. 16
- A LETTER TO MOTHER (dir. Joseph Green and Leon Trystand) | World Premiere of 35mm Restoration | Preceded by JEWISH LIFE IN LWOW (dir. Shaul Goskind and Yitzhak Goskind) | Jan. 15
- A LIFE APART: HASIDISM IN AMERICA (dir. Oren Rudavsky and Menachem Daum) | World Premiere of 4K Restoration | Jan. 19

Shorts by Women | Jan. 18
- THE WALTZ (dir. Yulia Ruditskaya)
- SHIREY MARA (dir. Nata Korneyeva)
- MY PARENT, NEAL (dir. Hannah Saidiner)
- ANATEVKA (dir. Danielle Durchslag)
- CASTLES IN THE SKY (dir. Pearl Gluck)
- MAKE ME A KING (dir. Sofia Olins)

R.I.P. Yoshishige “Kijū” Yoshida (1933 - 2022)

Before there was YOU'VE GOT MAIL, there was HARU...

Yoshimitsu Morita's mid-1990s standout is an off-kilter tale of boy-meets-girl-virtually in the early days of internet chat rooms. Intrigued by the power of words as a visual medium, Morita inventively incorporates onscreen text into his pop avant-garde sensibility.

HARU plays tomorrow and Sunday during our retrospective! Get tickets at filmlinc.org/morita

(C) Kouwa International

“This documentary is a collaboration between two relentlessly honest artists: Poitras and the photographer Nan Goldin, whose candor about her own life is inspiring and sometimes terrifying. Goldin’s work and activism during the AIDS and opioid epidemics are the focus, but if this is a biographical documentary it’s also one that, like Goldin’s pictures, redraws the boundary between life and art.” - A.O. Scott, @nytimes

ALL THE BEAUTY AND THE BLOODSHED continues to play daily! Get tickets at filmlinc.org/beauty

📸: @photojuice

Yoshimitsu Morita's SOMETHING LIKE IT is a charming and comical coming-of-age tale set in the worlds of rakugo (a traditional form of Japanese sit-down comedy) and sex work, with impressions of the latter drawn from his interactions with the clientele of the restaurant where he was raised.

Real-life rakugo artists are featured in abundance, lending the film an authenticity that enhances Morita’s stylized viewpoint. The film plays tomorrow only during our retrospective!

Get tickets at filmlinc.org/morita

(C) N.E.W.S. CORPORATION

🔥 Paul Thomas Anderson and Lars von Trier. 🔥

Starting next week, we're excited to exclusively present newly restored director’s cuts of Trier’s THE KINGDOM Parts I & II and the latest installment, THE KINGDOM EXODUS, an #NYFF60 selection, in our theaters.

See all three installments on the big screen and save at filmlinc.org/kingdom

"We talked about it for hours afterward—particularly about the FINAL BANQUET scene...wonderful stuff!" - Novelist Tom Wolfe on Yoshimitsu Morita's THE FAMILY GAME in a letter to Japan Society Film Program Director Hirano.

The new 4K remaster of Morita's film plays through Thursday during our retrospective!

Get tickets at filmlinc.org/morita

Now on our YouTube, watch director Charlotte Wells discuss her process of collaborating with actors Paul Mescal and Frankie Corio on her spellbinding feature debut, AFTERSUN.

Charlotte Wells returns to our theaters this Wednesday for a special Q&A following the 8:30pm screening of AFTERSUN!

Get tickets at filmlinc.org/aftersun

📸: @photojuice

Just announced—producer Kazuko Misawa will introduce tonight’s 8:45pm screening of Yoshimitsu Morita’s MAIN THEME, a grand and summery road movie through Japanese beach towns.

Get tickets at filmlinc.org/morita

(C) KADOKAWA CORPORATION 1984

Don’t miss the chance to see Yoshimitsu Morita’s iconic and distinctive oeuvre, including the new 4K remaster of THE FAMILY GAME, during our retrospective through Dec. 11. Introductions from producer Kazuko Misawa continue tonight & tomorrow!

Limited edition Yoshimitsu Morita tote bags are available for purchase at the box office! 👀

Get tickets at filmlinc.org/morita

📸: @photojuice

“I pity the French Cinema because it has no money. I pity the American Cinema because it has no ideas.”

Remembering the great Jean-Luc Godard on his birthday. 💜

R.I.P. Julia Reichert (1946 - 2022)

Set to a dreamy 1980s synth soundtrack by Osamu Shiomura and featuring a 360-degree tracking shot around an actual driving car (which remains a cinematographic marvel), DEATHS IN TOKIMEKI is a visually arresting mood piece shrouded in mystery.

See it tonight (w/ intro from producer Kazuko Misawa) and next Friday during our Yoshimitusu Morita Retrospective! Get tickets at filmlinc.org/morita

(C) Hane Cinema

Across a 30-plus-year career, Yoshimitsu Morita amassed one of the most fascinatingly idiosyncratic and prolific bodies of work in modern Japanese cinema. Join us through Dec. 11 and get lost in Morita's cinematic labyrinth of desire, chaos, and joy!

Explore the lineup and get tickets at filmlinc.org/morita

“I do think it’s a feminist film because I give space to things which were never, almost never, shown in that way, like the daily gestures of a woman.” - Chantal Akerman

Behind the scenes on JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES.

"Another tribute film, this time Bresson’s AU HASARD BALTHAZAR meets OLD YELLER. Can a donkey remember? Just ask Isabelle Huppert, who pops up in this movie for no apparent reason except that she’s the best actress in the world." - John Waters, @artforum

Jerzy Skolimowski's EO is John Waters' #2 film of 2022! The #NYFF60 selection plays daily—get tickets at filmlinc.org/eo.

In the latest FLC Luminaries, presented by @netflix, director Joanna Hogg and actor Tilda Swinton dive into the making of THE ETERNAL DAUGHTER, the influence of Victorian ghost stories in literature and film, and exploring the relationship between mothers and daughters.

Watch the full video, along with previous FLC Luminaries at filmlinc.org/luminaries

Director Charlotte Wells and actor Paul Mescal behind the scenes of AFTERSUN. 🏖️

The #NYFF60 selection and @nytimes Critic's Pick continues its run in our theaters! Next Wednesday at 8:30pm, join Charlotte Wells for an in-person Q&A.

Get tickets at filmlinc.org/aftersun

Perhaps the most eccentric, turbulent television series of the 1990s after TWIN PEAKS, Lars von Trier’s THE KINGDOM is a singular blend of horror, humor, and melodrama.

On Dec. 16-22, watch the newly restored director’s cut of THE KINGDOM Part I on the big screen, playing exclusively in our theaters!

See all three installments of THE KINGDOM, including #NYFF60 selection THE KINGDOM EXODUS, and save at filmlinc.org/kingdom

Now on our podcast and YouTube, watch/listen to our conversation with EO director Jerzy Skolimowski and co-writer Ewa Piaskowska on the making of one of the most visually inventive films of the year.

The #NYFF60 selection continues its run in our theaters with a special introduction from Jerzy Skolimowski, recorded exclusively for FLC audiences!

Get tickets at filmlinc.org/eo

📸: @lancelot_q

Director Yoshimitsu Morita behind the scenes of LOST PARADISE, the second highest-grossing Japanese film in Japan in 1997.

LOST PARADISE plays one time only this Sunday with an introduction from producer Kazuko Misawa and composer Michiru Oshima!

Get tickets at filmlinc.org/morita

(C) KADOKAWA CORPORATION, Toei, Mitsui Bussan, Nippon Shuppan

Let them eat cake... Limited tickets remain for our sneak previews of #NYFF60 selection CORSAGE on Dec. 15! Don't miss out on the intros/Q&A with director Marie Kreutzer & lead Vicky Krieps and a special reception.

Get tickets at filmlinc.org/corsage

📸: Catie Laffoon

Yoshimitsu Morita's MAIN THEME is a coming-of-age romance between an apprentice magician and a former preschool teacher who has lost her way. Morita uses his sizable, industry-backed budget to present an irreverent road movie full of delightful tricks and confetti.

MAIN THEME plays one time only during our retrospective this Sunday at 8:45pm! Get tickets at filmlinc.org/morita

(C) KADOKAWA CORPORATION 1984

ALL THE BEAUTY AND THE BLOODSHED is "a testament to the power of one person taking on an institution." - @hammertonail

Laura Poitras' #NYFF60 selection and @nytimes Critic's Pick continues to play daily in our theaters. Get tickets at filmlinc.org/beauty

“Self-Portrait in My Blue Bathroom, Berlin” by Nan Goldin, 1991.

Behind the scenes on Sam Mendes's AMERICAN BEAUTY (1999), SKYFALL (2012), 1917 (2019), and EMPIRE OF LIGHT (2022).

Next Tuesday at 4pm, join us for a free talk with the Oscar- & Tony-winning director about his thematically rich and psychologically incisive body of work.

More info at filmlinc.org/free

Happy #GivingTuesday! FLC Members are the heart and soul of our film community. 💜 Become a member and get access to exclusive screenings, early access to tickets (including NYFF), special events, and more!

For a limited time, get 25% off memberships with the promo code HOLIDAY25.

More info at filmlinc.org/members

Across a 30-plus-year career, Yoshimitsu Morita amassed one of the most fascinatingly idiosyncratic and prolific bodies of work in modern Japanese cinema. Join us Dec. 2-11 and get lost in Morita’s cinematic labyrinth of desire, chaos, and joy!

Explore the lineup and in-person introductions, and get tickets at filmlinc.org/morita

- KEIHO: (c)1999 Shochiku Co., Ltd./KOUWA INTERNATIONAL
- AND THEN: (C) Toei Co.,Ltd.
- DEATHS IN TOKIMEKI: (C) Hane Cinema
- HARU: (C) Kouwa International
- KITCHEN: (C) Kouwa International
- LOST PARADISE: (C) KADOKAWA CORPORATION, Toei, Mitsui Bussan, Nippon Shuppan
- MAIN THEME: (C) KADOKAWA CORPORATION 1984
- SOMETHING LIKE IT: (C) N.E.W.S. CORPORATION
- THE BLACK HOUSE: (C) 1999 KUROI IE Film Partners
- THE FAMILY GAME: (c)1983 NIKKATSU CORPORATION. / TOHO CO., LTD.
- THE MAMIYA BROTHERS: (C) The Mamiya Brothers Film Partners
- TOP STRIPPER: (C) 1982 NIKKATSU

AFTERSUN, which enters its seventh week in our theaters, reimagines the coming-of-age narrative as a poignant, ultimately ungraspable chimera, informed by the present as much as the past.

Back by popular demand, join director Charlotte Wells for a Q&A on Dec. 7 at 8:30pm!

Get tickets at filmlinc.org/aftersun

🚨 Just announced—join THE ETERNAL DAUGHTER director Joanna Hogg and Martin Scorsese in a Q&A this Saturday at 3:30pm! 🚨

Using elements of classic Victorian gothic ghost stories, Joanna Hogg's THE ETERNAL DAUGHTER is an impeccably crafted excavation of a parent-child relationship and the impulse toward artistic creation. The #NYFF60 selection opens this Friday.

Get tickets at filmlinc.org/eternal

Director Yoshimitsu Morita in front of the Lincoln Plaza Cinema ahead of a screening of THE FAMILY GAME in 1984. 🔥

Our retrospective on the Japanese director, which includes a new 4K remaster of THE FAMILY GAME, begins this Friday with a special reception + weekend intros from producer Kazuko Misawa & composer Michiru Oshima!

Get tickets and All-Access Passes at filmlinc.org/morita

NANNY, an official #NDNF51 selection and Sundance Dramatic Grand Jury Prize, closes this Thursday! Revisit our conversation from the 51st New Directors/New Films with director Nikyatu Jusu and producer Nikkia Moulterie on the spellbinding horror film via the FLC podcast and our YouTube.

Now through Thursday, tweet us your NANNY ticket or you at one of our screenings for a chance to win an official poster signed by director Nikyatu Jusu. Get tickets at filmlinc.org/nanny

📸: @lancelot_q

POV: It’s your first year at the adult table.

🦃 Happy Thanksgiving! 🦃

In the latest FLC Luminaries, presented by @netflix, THE INSPECTION director Elegance Bratton discusses adapting his personal experience, visual influences like Claire Denis’s BEAU TRAVAIL and Gillo Pontecorvo’s THE BATTLE OF ALGIERS, and working with Jeremy Pope and Gabrielle Union.

Watch the full version at
filmlinc.org/luminaries

Just announced! Join us on Dec. 6 at 4pm for a free talk with Oscar- and Tony-winning director Sam Mendes (1917, AMERICAN BEAUTY) to discuss his highly anticipated new film EMPIRE OF LIGHT in the context of his thematically rich and psychologically incisive body of work.

Learn more at filmlinc.org/free 🎤

“Raw, emotionally ferocious.” - Manohla Dargis, The New York Times

Laura Poitras’s ALL THE BEAUTY AND THE BLOODSHED, an #NYFF60 Centerpiece selection and NYT Critic’s Pick, is now playing daily in our theaters. Don’t miss our Q&A on Saturday at 6:15pm with Poitras and P.A.I.N. activists Megan Kapler and Harry Cullen.

Get tickets at filmlinc.org/beauty

Featuring "naturalistic performances and sly jolts of sardonic humor," Nikyatu Jusu's NANNY "draws fluidly from different genres and modes."

The New Directors/New Films 2022 selection & @nytimes Critic's Pick is now playing for one week only, with BOGO tickets through Sunday! Get tickets at filmlinc.org/nanny

🚨 POSTER GIVEAWAY 🚨: Now through Dec. 1, tweet us a photo of your ticket or you at one of our NANNY screenings for a chance to win a poster signed by director Nikyatu Jusu! Posters will be shipped in U.S. only.

CORSAGE has been nominated for Best International Feature at the 2023 Film Independent Spirit Awards!

Before it opens on Dec. 23, see the #NYFF60 selection during our special sneak previews on Dec. 15 (w/ an in-person Q&A, intro, and reception with director Marie Kreutzer & lead Vicky Krieps)!

Limited tickets remain—get yours at filmlinc.org/corsage

Visually inventive, bitingly sharp, audacious, and full of wit, THE FAMILY GAME announced the arrival of Yoshimitsu Morita as a remarkable new voice in Japanese cinema whose influence still sends out ripples today.

The new 4K remaster of the 1984 New Directors/New Films selection plays for one week during our Yoshimitsu Morita Retrospective, starting Dec. 2 (w/ intro from producer Kazuko Misawa).

Get tickets at filmlinc.org/morita

📸: (c)1983 NIKKATSU CORPORATION. / TOHO CO., LTD.

Park Chan-wook on the DECISION TO LEAVE set. Cup translates to "Ready, action!" 💜

Our final screenings of the #NYFF60 selection are today. Get tickets at filmlinc.org/decision

Now on our YouTube and podcast, watch/listen to our intimate, career-spanning conversation with Nan Goldin from #NYFF60 about the personal & political roots of her creative practice, the radical humanism of her photography, and the defiant intertwinings of her art and activism.

ALL THE BEAUTY AND THE BLOODSHED, Laura Poitras's documentary on the era-defining artist and @sacklerpain, opens this Wednesday! Don't miss the Q&A with Poitras and P.A.I.N. activists Megan Kapler and Harry Cullen on Saturday at 6:15pm.

Get tickets at filmlinc.org/beauty

📸: @colleen_sturtevant_photography

All NYFF60 Talks are presented by @hbo.

Hands in Park Chan-wook's DECISION TO LEAVE.

The #NYFF60 selection and @nytimes Critic's Pick closes this Tuesday in our theaters! Now is the perfect time to watch or revisit South Korea’s Oscar entry.

Get tickets at filmlinc.org/decision

R.I.P. Jean-Marie Straub (1933-2022)

EO director Jerzy Skolimowski & co-writer Ewa Piaskowska return to FLC for an additional Q&A tomorrow at 4pm!

Get tickets to the #NYFF60 selection at filmlinc.org/eo

JUST ANNOUNCED: EO director Jerzy Skolimowski & co-writer Ewa Piaskowska will join us for an additional Q&A this Sunday at 4pm! If you missed tomorrow's sold-out Q&A, this is your chance.

Get tickets at filmlinc.org/eo

"The best elevated horror debut since THE BABADOOK." - @inverse

NANNY, a New Directors/New Films 2022 selection, opens Wednesday for one week only! Bring a friend and take part in a special holiday promotion: buy one ticket, get one free for all screenings through Nov. 27.

Get tickets at filmlinc.org/nanny

"No movie that I’ve seen this year has moved me as deeply, made me feel as optimistic about cinema or engaged me with such intellectual vigor as EO." - Manohla Dargis, @nytimes

EO is now playing in our theaters! Limited tickets remain for tomorrow's intro with director Jerzy Skolimowski & co-writer Ewa Piaskowska + a special reception at filmlinc.org/eo

🔥 Happy Birthday, Danny DeVito! 🔥

Seen here behind the scenes on Sofia Coppola's THE VIRGIN SUICIDES, 1999.

Wishing the happiest of birthdays to one of our favorite filmmakers and cinephiles, Martin Scorsese! 🎉

Now available on our YouTube and podcast, watch/listen to our PERSONALITY CRISIS: ONE NIGHT ONLY Q&A from #NYFF60 with Scorsese, David Tedeschi, David Johansen, and more on the marvelously intimate music documentary.

📸: @mettieostrowski

All #NYFF60 documentaries were sponsored by @hbo.

In the latest conversation for FLC Luminaries, presented by @netflix, director Chris Smith dives into the process of working with the Downeys on the intimate production of “SR.“, paying homage to an iconic underground filmmaker, and capturing the true essence of documentary subjects.

Watch the full video, along with previous FLC Luminaries, including ARMAGEDDON TIME director James Gray, at filmlinc.org/luminaries

Jerzy Skolimowski with Hola, one of the six donkeys in EO | Robert Bresson with Balthazar from AU HASARD BALTHAZAR

EO, an #NYFF60 selection, opens this Friday! Limited tickets remain to the Q&A on Saturday with director Jerzy Skolimowski & co-writer Ewa Piaskowska + a special reception for all ticket holders: filmlinc.org/eo

"There were rarely bad takes, but there was always something surprising in the DV footage. There was never, ever a sense of performing. It always felt incredibly natural. I think that was just by virtue of having some control over what they were doing." - AFTERSUN director Charlotte Wells on the actors using DV footage in her feature debut.

The #NYFF60 selection and NYT Critic's Pick continues to play daily in our theaters!

Get tickets at filmlinc.org/aftersun

“Now more than ever we need to talk to each other, to listen to each other and understand how we see the world, and cinema is the best medium for doing this.”

Happy Birthday, Martin Scorsese! 💜

Earlier this year, we were saddened to hear about the passing of Joanne Koch, an essential NYC cinema figure who spent over three decades creating and shaping what is now FLC and the @thenyff.

We were proud to host a recent celebration of her life, now available online at filmlinc.org/koch.

Joanne Koch came to the Film Society of Lincoln Center as a freelancer in 1971 to program the series Movies in the Parks and quickly became an administrator, moving up to the role of Executive Director in 1977. She spent 47 years creating and shaping what is now Film at Lincoln Center (FLC) and the New York Film Festival (NYFF), serving as FLC’s Executive Director from 1977 to 2003 and Project Director of the Elinor Bunin Munroe Film Center (EBM) through 2008. She sat on the FLC Board of Directors from 2009 until her passing.

Joanne worked to make it possible for programmers to present the films they were interested in screening, despite threats of censorship, protective business interests, and pushback from religious groups. Joanne also made it her mission to champion the FLC staff, a group of employees she saw as exemplary in their commitment to the organization and to the artform.

"Before I met Joanne Koch, I knew of her only by reputation, a petite figure with an almost larger-than-life mystique. She was a total badass and there will never be another like her." - Laura Kern, former @filmcommentmagazine Managing Editor.

"Joanne Koch was my boss. After the other bosses I had, men bosses all, Joanne was one of two who saw empathy as part of the necessary skill set. She made all the hard decisions of leadership and carried them through in four dimensions — the three we see and through which we move and the fourth we feel." - Harlan Jacobson, former @filmcommentmagazine Editor-in-Chief.

Take a moment to read some of the remembrances for Joanne Koch, watch the memorial, share your personal memories, and learn more

"A sobering, cinematic masterpiece." - @screenanarchy

EO, an #NYFF60 selection, opens this Friday in our theaters with a Q&A on Saturday with director Jerzy Skolimowski & co-writer Ewa Piaskowska + a special reception for all ticket holders!

Get tickets at filmlinc.org/eo

“I think the most important thing maybe about my life’s work, outside of artistically, is that the work helps to eradicate stigma, about all these issues like suicide and depression and drug use and sex work and different forms of sexual identity. I never do the work to fight stigma. I do the work because it’s what I’m living and it’s what I care about." - Nan Goldin for The New York Times

ALL THE BEAUTY AND THE BLOODSHED opens next Wednesday in our theaters! Don't miss our Q&A with director Laura Poitras and P.A.I.N. activist Harry Cullen on Nov. 26.

Get tickets at filmlinc.org/beauty

📸: Thea Traff

In THE BLACK HOUSE, director Yoshimitsu Morita provocatively unveils the latent madness underlying capitalism and the insurance-industrial complex’s financialization of life and death, arriving at an utterly absorbing work of sociopolitical horror.

Morita's first horror film screens during our retrospective on Dec. 3 (intro from producer Kazuko Misawa) and Dec. 9!

Get tickets at filmlinc.org/morita

📸: (C) 1999 KUROI IE Film Partners

We were proud to welcome filmmaker and artist Cauleen Smith (DRYLONGSO, #NYFF60 Revivals selection) (@cauleen_smith) to deliver the second edition of the Amos Vogel Lecture, which was followed by a Q&A with @academymuseum Director/President and @tcm host Jacqueline Stewart (@profjstewart).

Watch the lecture and conversation, now on our YouTube and filmlinc.org!

📸: @colleen_sturtevant_photography

The 2022 Amos Vogel Lecture is sponsored by @tcm and NYFF60 Talks are presented by @hbo.

Six donkeys walk onto a film set... What follows is EO, one of Jerzy Skolimowski's spryest and most visually inventive films, opening this Friday in our theaters. 🇵🇱

This Saturday, join director Jerzy Skolimowski & co-writer Ewa Piaskowska for a Q&A at the 6:15pm screening and an intro at the 9pm screening.

All ticket holders are also invited to attend a special reception in the Furman Gallery from 7:30pm-9:30pm!

Get tickets: filmlinc.org/eo

Special thanks to @polishculturalinstituteny

Within a simple, loose-limbed premise, Hong Sangsoo locates a deep well of emotional truth, and poses a bounty of questions about the necessities and expectations of art-making.

THE NOVELIST'S FILM, an #NYFF60 selection & @nytimes Critic's Pick, closes Thursday.

Get tickets at filmlinc.org/novelist

"The film is a box of secret compartments; just when you think you’ve got it all figured out, one more panel springs open." - @time

Park Chan-wook's intoxicating #NYFF60 selection continues its run in our theaters!

Get tickets at filmlinc.org/decision

Vicky Krieps hive rise up—tickets to our sneak previews of CORSAGE on Dec. 15 with director Marie Kreutzer & lead Vicky Krieps in person are now on sale! 👑

All ticket holders are also invited to attend a special reception in the Frieda and Roy Furman Gallery from 8:00pm-10:00pm.

Get tickets at filmlinc.org/corsage

FLC Luminaries, our video series presented by @netflix, which spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema has returned!

Watch our conversation with James Gray, and stay tuned for chats with Joanna Hogg & Tilda Swinton, Elegance Bratton, Chris Smith & more as they dive into the best films of the year. Available on our YouTube channel and at filmlinc.org/luminaries 🎥

In AFTERSUN, Charlotte Wells employs an unusual and gorgeous aesthetic that brings us into the interior space of a parent and child, resulting in a singular emotional wallop. 🌊☀️

The #NYFF60 selection continues its run in our theaters! Get tickets at filmlinc.org/aftersun

"Vicky Krieps gives an exhilaratingly fierce performance.” - @guardianfilm

On Dec. 15, don't miss Vicky Krieps and director Marie Kreutzer in person for sneak previews of CORSAGE and a reception! Tickets on sale Thursday at noon, with FLC Member pre-sale access now at filmlinc.org/corsage

For a limited time, get 25% off Memberships with the promo code HOLIDAY25. Join our community of film lovers at filmlinc.org/membership 🎁

Spend the holiday season at Film at Lincoln Center! ❄️ 🎞️ We're thrilled to announce programming through January 2023:

🎥 EO | Opens Nov. 18 | Q&A and reception with Jerzy Skolimowski & co-writer Ewa Piaskowska on Nov. 19

🎥 NANNY | Opens Nov. 23 | All tickets buy one, get one free

🎥 ALL THE BEAUTY AND THE BLOODSHED | Opens Nov. 23 | Q&A w. Laura Poitras & Harry Cullen on Nov. 26

🎥 Yoshimitsu Morita Retrospective | Dec. 2-11

🎥 THE ETERNAL DAUGHTER | Opens Dec. 2

🎥 CORSAGE | Sneak previews and reception on Dec. 15 w. Vicky Krieps & Marie Kreutzer | Opens Dec. 23

🎥 THE SUPER 8 YEARS | Opens Dec. 16

🎥 THE KINGDOM I | Dec. 16-22

🎥 THE KINGDOM II | Dec. 23-27

🎥 THE KINGDOM EXODUS | Dec. 18-Jan. 5

See all three parts of Lars von Trier's series for $30 (GP) & $25 (Members)

🎥 ALCARRÀS | Opens Jan. 6

🎥 SAINT OMER | Opens Jan. 13

🎥 ONE FINE MORNING | Opens Jan. 27

FLC Members save $5 on all tickets year-round! For a limited time, get 25% off Memberships with the promo code HOLIDAY25; available for Contributor-level Memberships and above. Join our community of film lovers at filmlinc.org/membership 🎁

We're thrilled to announce our retrospective dedicated to Yoshimitsu Morita (Dec. 2-11), a director who amassed one of the most fascinatingly idiosyncratic and prolific bodies of work in modern Japanese cinema. 🇯🇵

Explore the full lineup & schedule at filmlinc.org/morita

Tickets for go on sale this Thursday, November 10, at noon with limited All-Access Passes available ($65 for General Public and $35 for Students). See more and save with 3+ tickets.

From his irreverently comic 1981 SOMETHING LIKE IT to his 1983 breakout black comedy, THE FAMILY GAME (a New Directors/New Films 1984 selection), to forays into melodrama (AND THEN, 1985), the hard-boiled film (DEATHS IN TOKIMEKI, 1984), the pink film/roman porno (TOP STRIPPER, 1982), horror (THE BLACK HOUSE, 1999), and romantic drama (HARU, 1996), Morita’s work is marked by an incomparable sensitivity to the peaks and valleys of the inner landscape of Japanese society, a penchant for subtle injections of surreality to highlight the absurdity of certain aspects of Japanese life, an omnipresent sense of irony, and a boldly iconoclastic approach to visual composition. Morita’s films deal with many of the same subjects as those of his better-known predecessors and successors, but from a wholly singular point of view, yielding a richly heterogeneous and perpetually surprising oeuvre overdue for discovery. Join Kazuko Misawa, longtime producer of Morita’s works, and composer Michiru Oshima for a special retrospective of Morita’s films and get lost with us in his cinematic labyrinth of desire, chaos, and joy.

Special thanks to The Japan Foundation, New York!

🔥 Behind the scenes on Park Chan-wook's DECISION TO LEAVE. 🔥

Tomorrow is the last day to enter to win a DECISION TO LEAVE poster, signed by director Park Chan-wook!

To enter, tweet @filmlinc and @mubiusa a photo of your ticket or you at your screening!

Get tickets and more info at filmlinc.org/decision

Weekend plans, courtesy of Hong Sangsoo. ✔️

THE NOVELIST'S FILM, a @nytimes Critic's Pick, plays daily in our theaters!

Get tickets at filmlinc.org/novelist

"AFTERSUN has the feeling of a story plucked from memory, sifted, and reordered by time." - @slate

Charlotte Wells's brilliant debut feature and #NYFF60 selection continues to play daily in our theaters. Don't miss this one.

Get tickets at filmlinc.org/aftersun

One gloomy night, a middle-aged filmmaker and her elderly mother arrive at a fog-enshrouded hotel in the English countryside, but all is not what it seems on this increasingly emotional trip...

Featuring Tilda Swinton in one of the most remarkable acting feats in her astonishing career, Joanna Hogg's THE ETERNAL DAUGHTER opens Dec. 2!

Get tickets to the #NYFF60 Main Slate selection at filmlinc.org/daughter

Jerzy Skolimowski fans rejoice! The legendary director will be joining us for a Q&A at the 6:15pm screening of EO and an intro at 9pm on Nov. 19.

Ticket holders are also invited to attend a special reception in the Furman Gallery at 7:30pm. Get tickets at filmlinc.org/eo

Opening Nov. 23 for one week only, Nikyatu Jusu's NANNY is a spellbinding experience that defies expectation. All screenings through Nov. 27 are now BOGO—buy a ticket, bring a friend, and take part in the special holiday promotion!

Get tickets at filmlinc.org/nanny

Remembering the great Italian filmmaker, Luchino Visconti, on his birthday today. 💜

Photo by Horst P. Horst, 1936.

"Hong Sangsoo has been quietly, prolifically making features of the utmost insight and sensitivity." - @nytimes

THE NOVELIST'S FILM, an #NYFF60 Main Slate selection, continues its run in our theaters!

Get tickets at filmlinc.org/novelist

Just announced—join director Charlotte Wells for a Q&A at the 12:15pm screening of AFTERSUN this Saturday!

Get tickets at filmlinc.org/aftersun

📸: @godlis

If you haven’t seen one of the year’s most acclaimed films yet (or need an excuse to see it again), this is your chance. Now through Sunday, all DECISION TO LEAVE ticket holders at FLC can enter to win a poster, signed by director Park Chan-wook!

To enter, tweet @filmlinc and @mubiusa a photo of your ticket or you at your screening. More info at filmlinc.org/park

Underwater scenes in Charlotte Wells's AFTERSUN and Sofia Coppola's SOMEWHERE.

AFTERSUN continues its run in our theaters!

Get tickets at filmlinc.org/aftersun

🎃👻 Happy Halloween! 👻🎃

📸: The Maestro of Giallo during our Beware of Dario Argento retrospective, by @lancelot_q. 🔪🩸

As AFTERSUN continues its run in our theaters, revisit our #NYFF60 Crosscuts Talk with director Charlotte Wells in conversation with ONE FINE MORNING’s Mia Hansen-Løve.

The two filmmakers talked about the process of making art out of one’s life, giving filmic shape to the workings of memory and time, reimagining the contours of “women’s cinema,” and more. Watch now on our YouTube or listen on our podcast!

NYFF60 Talks were presented by @hbo.

📸: @juliecfoto

Babe, wake up, new still of Kim Minhee watching a film in a Hong Sangsoo movie just dropped...

THE NOVELIST'S FILM, a @nytimes Critic's Pick and #NYFF60 selection, is now playing exclusively in our theaters!

Get tickets at filmlinc.org/novelist

- THE NOVELIST'S FILM (2022)
- THE WOMAN WHO RAN (2020)
- ON THE BEACH AT NIGHT ALONE (2017)
- RIGHT NOW, WRONG THEN (2015)

Parallels in Park Chan-wook's DECISION TO LEAVE and Agnès Varda's LA POINTE COURTE.

DECISION TO LEAVE, South Korea’s Oscar entry and an #NYFF60 Main Slate selection, continues to play daily in our theaters with an exclusive intro from Park Chan-wook!

Get tickets at filmlinc.org/decision

Happy Birthday, Tsai Ming-liang!

Photo by Alex Majoli, 2007.

Now on YouTube, watch our #NYFF60 roundtable featuring filmmakers Joao Pedro Rodrigues, Ruth Beckermann, Elisabeth Subrin, and Isabel Sandoval discuss the ways in which their work gives subversive and radical form to sex, eroticism, and embodiment.

NYFF60 Talks were presented by @hbo

📸: @richardjopson

Ahead of THE NOVELIST’S FILM, Hong Sangsoo’s playful and gently thought-provoking 27th feature, opening this Friday in our theaters, watch an exclusive clip from the #NYFF60 selection, courtesy of @cinemaguild . 🎞️💜

Calling all #NYFF60 ticket and passholders—check your inboxes and complete our survey by Nov. 1 to be entered to win #NYFF61 Cinephile Passes!

Behind-the-scenes photos Joe Alwyn and Margaret Qualley took of each other while filming Claire Denis' STARS AT NOON. 🔥

The whirlwind romance suffused with political intrigue and languid eroticism closes tomorrow! Don't miss the #NYFF60 selection and get tickets at filmlinc.org/stars

Six years after THE HANDMAIDEN, the legendary Park Chan-wook has returned with DECISION TO LEAVE, a Hitchcockian psychological thriller that earned him the Best Director award at this year’s Cannes Film Festival.

Starring Tang Wei and Park Hae-il, don’t miss the complex tale about a possible black widow and the investigator who just might be fashioning his own web...

Get tickets at filmlinc.org/decision

Wow, they really do have everything!

AFTERSUN plays daily in our theaters. Get tickets at filmlinc.org/aftersun

"When I finish a film, I feel like I have overcome a certain hurdle. It's really good for me as a human being, and I hope that for some people, my films will do the same thing."

💜 Happy Birthday, Hong Sangsoo! 💜

Hong's latest film, THE NOVELIST'S FILM, opens exclusively in our theaters this Friday! Don't miss the #NYFF60 selection on the big screen and get tickets at filmlinc.org/novelist

📸: @photojuice

As AFTERSUN continues its run at @filmlinc, revisit our #NYFF60 conversation with director Charlotte Wells and lead actor Frankie Corio who discuss the making of the film, working together, and more.

Watch now on our YouTube or listen on our podcast! Get tickets at filmlinc.org/aftersun

📸: @colleen_sturtevant_photography

Reflections in Krzysztof Kieślowski's THE DOUBLE LIFE OF VÉRONIQUE. 💛💚

The brand new 4K restoration ends its run this Thursday. Don't miss the dreamlike golden-green hues on the big screen and an intro from Annette Insdorf on Wednesday at 5pm!

Get tickets at filmlinc.org/double

Mixing domestic melodrama with American genre elements and West African folklore, NANNY is a psychologically complex fable of displacement tinged with supernatural horror.

The New Directors/New Films selection opens on Nov. 23 and plays for one week only!

Get tickets at filmlinc.org/nanny

"There’s a lot of trust in the audience in this. We never wanted to over-explain ourselves and we hoped that they would be along with us." - Director Charlotte Wells on AFTERSUN

The spellbinding feature debut starring Frankie Corio and Paul Mescal continues its run in our theaters: filmlinc.org/aftersun

"Different people in different places can be thinking the same thoughts at the same time. It's an obsession of mine, that different people in different places are thinking the same thing but for different reasons." - Krzysztof Kieslowski

The new 4K restoration of THE DOUBLE LIFE OF VÉRONIQUE is now playing daily in our theaters.

Get tickets at filmlinc.org/double

DECISION TO LEAVE, Park Chan-wook's latest thriller, is now playing daily in our theaters! Don't miss a special video introduction from the director—recorded exclusively for FLC audiences.

Get tickets at filmlinc.org/decision

"It’s hard to find a critical language to account for the delicacy and intimacy of this movie. This is partly because Wells, with the unaffected precision of a lyric poet, is very nearly reinventing the language of film, unlocking the medium’s often dormant potential to disclose inner worlds of consciousness and feeling." - @nytimes

Charlotte Wells' AFTERSUN, an #NYFF60 selection and NYT Critic's Pick, opens tomorrow in our theaters! Get tickets at filmlinc.org/aftersun