It’s eight years into the Iran-Iraq War and Shideh (a terrific Narges Rashidi), who is left alone at home with her young daughter after her husband is sent to serve in the military, begins to suspect that a malevolent spirit is stalking them. Babak Anvari’s inspired feature debut is a political horror story that rises up from the rubble of war.

Johnson’s directorial debut feature is a self-portrait of an artist who has traveled the globe, venturing into landscapes and lives that bear the scars of trauma both active and historic.

With wry humor and deep conviction, Uruguayan filmmaker Federico Veiroj (A Useful Life, ND/NF 2010) observes a young Spaniard’s maddening efforts to abandon the Catholic Church. By turns seriously philosophical and irreverently funny, the film traces the competing forces of conformity and rebellion, spiritual yearning and carnal desire, at war within us all.

Screening with Concerning the Bodyguard (Kasra Farahani, 10m).

Drawing inspiration from The Divine Comedy, political documentarian Zhao Liang combines his muckraking streak with a painterly vision in this wholly absorbing guided tour of a social and ecological nightmare in Inner Mongolia.

On the eve of his wedding, a groom falls into a pile of human remains, enabling a lonely dybbuk to crash his Polish wedding. Part absurdist comedy, part love story, the late Marcin Wrona’s eerie, richly atmospheric final film scares, amuses, and charms in equal measure.

Returning after 20 years to Warwick, Rhode Island, for his grandmother’s funeral, Peter Latang (Jesse Wakeman) endures a blast from the past and some very cringeworthy moments while hanging out with his former high-school bestie, the obnoxious Donald Treebeck (played by director Kris Avedisian). Donald Cried is a brilliant twist on the family-reunion melodrama and the classic buddy comedy.

A transporting experience that renews the possibilities of the ethnographic film, Salomé Lamas’s hallucinatory documentary immerses the viewer in the breathtaking views and extreme conditions of La Rinconada in the Peruvian Andes, the highest-elevation human settlement in the world, where miners face misery and lawlessness in the hopes of striking gold.

In the follow-up to her directorial debut, Innocence, Lucile Hadžihalilović continues her exploration of growing up, as feelings of fear, melancholy, and also eroticism bubble to the surface on a remote island populated only by women and young boys. Evolution is a dark fantasy that invites us to explore and make our own discoveries, however macabre they may be.

Anna Rose Holmer’s narrative feature debut follows Toni, an 11-year-old budding boxer, as she becomes drawn to a group of dancers training at the same rec center in Cincinnati. Holmer conveys their world with a hypnotic sense of rhythm and a rare gift for rendering physicality—evident most of all when a mysterious, convulsive condition begins to afflict a number of girls at the gym.

Ryusuke Hamaguchi’s wise compulsively watchable drama of female friendship and midlife awakening, which won its four leads a shared Best Actress award at the Locarno Film Festival, uses its epic five-plus-hour running time to show what other films leave out. Novelistic in depth and texture, it’s also the kind of immersive, intensely moving experience that remains unique to cinema.

This film within a film follows a filmmaker in Cairo (Khalid Abdalla of The Kite Runner and The Square), as he attempts to capture the zeitgeist of his city, as the world changes around him. Tamer El Said’s ambitious feature debut is a meditation on the tactile hold of cities and the weight of cinematic images in a time of change

An ecstatic and anguished vision of 21st-century youth replete with garishly lit sex scenes, inebriated slow-motion, and an exhilarating, eclectic pop soundtrack, Julio Hernández Cordón’s festival hit follows hard-living skater-bros/hustlers/lovers Miguel and Johnny as they flow inevitably toward a sea swimming with narco-sharks in Mexico City.

A country doctor is concerned for the well-being of his nephew, Weiwei, whom he believes his thug brother intends to sell; Weiwei soon vanishes, and Chen sets out to find him. Bi Gan’s endlessly surprising shape-shifter comes to assume the uncanny quality of a waking dream as it poetically and mysteriously interweaves the past, present, and future.

Anita Rocha da Silveira’s vibrantly morbid debut feature unfolds in Rio de Janeiro’s Barra da Tijuca, where a clique of teenage girls become fearfully captivated by a string of gruesome murders. With nods to Brian De Palma’s Carrie, Jacques Tourneur’s Cat People, and the atmospheres of David Lynch, this is nonetheless an entirely original coming-of-age story.

In the barren, ethereal Chinese countryside, a young boy becomes temporarily possessed by the spirit of his late mother. This exquisitely restrained ghost story combines the gentle supernaturalism of Apichatpong Weerasethakul with the clear-eyed social realism of Jia Zhangke (one of the film’s executive producers).

By turns neorealist and fabulist, Pietro Marcello’s beautiful and beguiling portrait of a heroic Campanian shepherd—and of the woes of present-day Italy—responds to real-life tragedy with a bold and generous leap into the mythic. Shot on expired 16mm film stock, the film won two awards at the Locarno Film Festival.

Yaelle Kayam’s feature debut offers a subtle and finely paced entryway into the interior life of a Jewish Orthodox mother of four living atop Jerusalem’s ancient Mount of Olives, whose existence is upended by an unlikely nighttime encounter.

Following his father’s sudden death, medical-student Iddrisu (Jacob Ayanaba) returns to his home village as the head of his family. As he confronts both tragedy and the beauty of village life, directors T.W. PIttman and Kelly Daniela Norris convey in exquisite detail the lives of people steeped in rural tradition who yearn to be a part of a new world.

The ingenious conceit of Neither Heaven Nor Earth, a critical success at Cannes, is to transform the Afghan battlefield—dust and boredom and jolts of explosive violence—into the backdrop for a metaphysical thriller. Jérémie Renier stars as a French army commander who loses the loyalty of his company, as well as his sanity, when soldiers start mysteriously disappearing one by one. A New Directors/New Films 2016 selection.

A handsome Brazilian cowboy, traveling the rodeo circuit with his unorthodox surrogate family, dreams of becoming a fashion designer. Culminating in an unforgettable sex scene, Gabriel Mascaro’s Venice and Toronto prizewinner is a quietly affirming exploration of desire and labor, a humane and sensual study of bodies at work and at play.

One of the most complicated, sympathetic documentary subjects to come along in some time, Peter Dunning is a rugged individualist, an artist turned farmer and a product of the 1960s counterculture whose poetic idealism has since soured. Imbued with an aching tenderness, Tony Stone’s portrait is both haunting and heartbreaking, a mosaic of Dunning’s transitory memories and reflections—however funny, tragic, or angry they may be.

The feature debut by celebrated video artist Omer Fast is a striking, stylish psychological thriller, based on Tom McCarthy’s landmark 2005 novel, in which an unnamed amnesiac (a mesmerizing Tom Sturridge) becomes obsessed with creating note-perfect reconstructions of his own dim memories.

Ted Fendt delivers on the promise of his acclaimed shorts without sacrificing his singular charm and rigor with this shot-on-16mm debut feature, in which an ambitionless New Jerseyite sublets a friend’s room in Philadelphia and finds himself floating from one comic folly to another, each one a strange and subtle moral tale.

Françoise returns to her native Brittany to teach at her alma mater to find that the past of this very particular place still exerts an inexorable pull. A rapturous ensemble piece about the tricks of time and memory, Suite Armoricaine is a work of grand themes and small, surprising details, bursting with ideas and emotion.

Raam Reddy’s bold, vibrant debut feature, winner of two awards at the Locarno Film Festival, is a sprawling narrative that follows three generations of sons following the death of the family’s patriarch. The film’s incisive portrait of a community in a time of radical change yields exemplary humanist comedy and affirms an engaging new voice in Indian cinema.

This provocative prizewinner follows an ultra-Orthodox Yeshiva student who experiences a crisis of faith when his father brings him back from the brink of death. Avishai Sivan imbues his film with a singularly uncanny atmosphere, and the black-and-white chiaroscuro photography casts the devoutly private Hasidic community of old Jerusalem’s Mea Shearim in a morally shaded light.

A truly 21st-century hybrid of classic documentary techniques and reality-based dramatic storytelling, Josh Kriegman and Elyse Steinberg’s film follows the doomed mayoral election bid of former New York Congressman Anthony Weiner in 2013. By turns Shakespearean and Christopher Guest-ian, Weiner is the perfect political film for our time.

A program of five short films: Under the Sun (Yang Qiu, 19m); Dirt (Darius Clark Monroe, 7m); Totem (Marte Vold, 20m); Reluctantly Queer (Akosua Adoma Owusu, 8m); Isabella Morra (Isabel Pagliai, 22m).

A program of four short films: The Digger (Ali Cherri, 24m); We All Love the Seashore / Tout le Monde Aime le Bord de la Mer (Keina Espiñeira, 16m); Of a Few Days (Timothy Fryett, 14m); The Park / Le Park (Randa Maroufi, 14m).