
1492: Conquest Of Paradise
Scott’s visually stunning, psychologically complex Christopher Columbus bio-pic views the Italian explorer (played by Gérard Depardieu) as a great but flawed man of his times.
Declaring 1492 the victor of 1992’s dueling Christopher Columbus bio-pics may sound like the ultimate backhanded compliment, but there is much else to savor in Scott’s uneven but ambitious, psychologically complex rendering of the Italian explorer (played by Gérard Depardieu) supported by Spain’s Queen Isabella I (Sigourney Weaver) in his quixotic quest to circumnavigate the earth. As intrigued by what happened after Columbus discovered the “New World” as before, Scott and screenwriter Roselyne Bosch follow the character through the turn of the 16th century, his ill-fated stint as Viceroy and Governor of the new lands, and his ultimate return to Spain–in chains. Throughout, the film views Columbus as neither conquering hero nor genocidal imperialist, but rather a flawed yet fascinating man of his times, at once exploiter and exploited. With stunning, magic-hour cinematography by Adrian Biddle and music by Vangelis.
“Ridley Scott's 1492: Conquest of Paradise sees Christopher Columbus as more complex and humane than in the other screen treatments of the character. His Columbus is an enlightened revision of the traditional figure, treating Indians the same as Spanish noblemen and seeming content with the notion that nature, not the Catholic God, is their deity.”
—Roger Ebert, Chicago Sun-Times


Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


