
A Lonely Hero
Open Roads: New Italian Cinema 2014
June 5 - 12, 2014
U.S. Premiere. Q&A with filmmaker Gianni Amelio on June 5.
Amelio’s deadpan parable follows a small everyday hero from Milan who throws himself at a wide array of “substitute” jobs with a deep moral consistency as he reinvents himself from day to day.
U.S. Premiere. Q&A with filmmaker Gianni Amelio on June 5.
Amelio follows his 2011 Camus adaptation, The First Man, with a deadpan parable about a small everyday hero from Milan who contends with the unemployment crisis in a very particular way: he’s a “professional” substitute worker, skilled and knowledgeable enough to replace anyone in any job. True to his name, Antonio Pane is as good and essential as bread. Whether working as a train conductor, fishmonger, tailor, street sweeper, or bricklayer, he approaches the country's instability with a deep moral consistency as he reinvents himself everyday. Amelio wrote this film especially for actor Antonio Albanese, who personifies the film's dark humor and underlying sense of hope.


Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


