
Afternoon
Dreamed Paths: The Films of Angela Schanelec
February 7 - 13, 2020
Schanelec herself stars in her fifth feature, a characteristically sensuous and tense reworking of Anton Chekhov’s The Seagull, in which an estranged family of artists meets for an increasingly psychodramatic holiday rendezvous.
Q&A with Angela Schanelec on February 8
Schanelec herself stars in her fifth feature, a characteristically sensuous and tense reworking of Anton Chekhov’s The Seagull. An estranged family of artists meets for a holiday rendezvous at a villa in Potsdam, including selfish theater actor Irene (Schanelec), her psychically fragile son (Jirka Zett), and her sickly older brother (Mark Waschke). Irene struggles to connect with these two fraught figures, and as old resentments and older wounds bubble up to the surface, the family must endure the emotional reckoning it has long deferred. In one of her most visually beautiful films, Schanelec paints the agony and the ecstasy of the familial bond with the soft, warm light of a summer afternoon. 35mm print courtesy of the Goethe Institut-New York.
Playing as part of our Angela Schanelec retrospective (Feb. 7-13), leading to the opening of I Was at Home, But… on Feb. 14. See 3+ films during the retrospective and save!




Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


