
All the Light We Can See
New Directors/New Films 2021
April 28 - May 8, 2021
Mexican filmmaker Pablo Escoto Luna’s All the Light We Can See begins as the tale of a woman who runs off into the forest when forced to marry a bandit in some indeterminate past before revealing itself as a time-bending work of metaphysical beauty and folkloric power.
All the Light We Can See screens virtually nationwide from 5/6 to 5/11.
The 3:30PM screening on 5/03 and 12:30PM screening on 5/5 will feature special introductions from filmmaker Pablo Escoto!
Access this year’s ND/NF virtually nationwide or in FLC theaters!
- FLC Virtual Cinema: The public-facing rental platform for FLC members, students, seniors, and the general public.
- MoMA Virtual Cinema: Free exclusively for MoMA members starting April 28th.
An unusually ambitious epic told in eloquently simple brush strokes, Mexican filmmaker Pablo Escoto Luna’s All the Light We Can See is a daring work of minimalist gestures on a maximalist canvas, unfolding against the grand volcanic landscapes of Popocatépetl and Ixtaccihuatl. Guided by mythic storytelling traditions, the film, set during some indeterminant past, begins as the tale of a woman who runs off into the forest when forced to marry a bandit, before gradually revealing itself as a time-bending work of metaphysical beauty, responsive to the light and terrain of this radiant corner of the world. A ghost story, an ode to nature, and an examination of the artifice of narrative, Escoto Luna’s film offers to its viewers a rich and immense folkloric power.
Access the entire festival slate and SAVE with the Virtual All-Access Pass for just $275 ($348 value).
All ND/NF screenings include recorded filmmaker Q&As! Virtual ticket holders will be able to access these conversations in the Virtual Cinema timed to when the film premieres. In-theater ticket holders will be sent access to a private YouTube playlist at the start of the festival.




Read More
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


