
Among the Living
Scary Movies 8
October 31 - November 6, 2014
The final installment in dynamic French shock duo Alexandre Bustillo and Julien Maury’s trilogy of American-influenced horror flicks sees three 14-year-old boys get more than they bargained for after accidentally uncovering the hideout of an unhinged family at an abandoned movie backlot.
The final installment in dynamic French shock duo Alexandre Bustillo and Julien Maury’s trilogy of American-inspired horror flicks, following 2007’s gloriously grotesque Inside and 2011’s creepy old-dark-house tale Livide (sadly shelved by its U.S. distributor). Stand by Me and The Hills Have Eyes are among the influences on this story of three 14-year-old boys who stumble across an abandoned movie backlot, where they witness events straight out of the most terrifying of horror movies, involving the remaining members of the unhinged family we meet in the film’s astounding opening: a father and the mutant son he’ll do anything to protect. The boys get away unharmed but neither cops nor parents believe their story. Yet in fear of their hideaway being uncovered, Dad sends his “monster child” to track down the boys in a pursuit so nerve-wracking and carnage-filled you just might forget to breathe.





Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


