
Becoming Traviata
NYFF50: On the Arts
September 29 - October 4, 2012
Director Philippe Béziat and Producer Philippe Martin in person at 9/29 and 10/1 screenings!
Met Opera favorite Natalie Dessay prepares to take on the role of Violetta in Philippe Béziat’s lovely film about the staging of Verdi’s masterwork at the Aix-en-Provence Festival in France.
Director Philippe Béziat and Producer Philippe Martin in person at 9/29 and 10/1 screenings! Rush tickets available for 10/3 screening!
The title of Philippe Béziat’s lovely film about the staging of Verdi’s masterwork at the Aix-en-Provence Festival in France could be said to have a double meaning. On the one hand, it refers to Met Opera favorite Natalie Dessay as she hones her articulation, gestures and movements on her way to incarnating Violetta, Verdi’s tragic courtesan. On the other, it captures the wonder that opera is: the way in which so many elements—musical, vocal, dramatic, choreographic, scenographic—come together to create a single aesthetic experience. Much more than a backstage look at the contemporary staging of a classic, the film captures the highly detailed work of both director Jean-François Sivadier and musical director Louis Langrée, lingering over notes and lyrics, trying to get the expression of their meaning to be as precise as possible, and the efforts by the singers to integrate their own performances into the production’s overall vision.



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On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
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FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
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