Bloody Nose, Empty Pockets
On the eve of the 2016 U.S. presidential election, and on its final night before closing, a Las Vegas dive bar becomes a stage where its employees and barflies commiserate one last time.
On the eve of the 2016 U.S. presidential election, and on its final night before closing, a Las Vegas dive bar becomes a stage where its employees and barflies commiserate one last time. Filmmaking brothers Bill and Turner Ross train their keenly observed quasi-fiction on the lived-in atmosphere of a haunt, whose massed warmth and love conceal its patron’s worries—at least for a little while. Bloody Nose, Empty Pockets is a carefully constructed yet oddly affecting record of an American sensibility at once straining to survive and ready for the end. A Utopia release.
Read More
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.
FLC and NYAFF Announce Lineup and Awards of the 25th New York Asian Film Festival, July 10–26
The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.
