35mm

Boy

Nagisa Oshima

Among the most fascinating films by one of Japanese cinema’s all-time great iconoclasts, Oshima’s Boy—about a family of grifters who earn a living perpetrating a car-accident scam—is a dark comedy that advances some provocative conclusions about the effects of capitalism on the family unit.

DIRECTOR
Nagisa Oshima
YEAR
1969
COUNTRY
Japan
RUNTIME
97 minutes
LANGUAGE
Japanese with English subtitles
FORMAT
35mm

Among the most fascinating films by one of Japanese cinema’s all-time great iconoclasts, Boy is a dark comedy that arrives at some provocative conclusions about the effects of capitalism on the family unit. The titular young lad, 10-year-old Toshio (Tetsuo Abe) belongs to a family of grifters who make a living through automobile-accident scams: one member of the family stages themselves getting hit by a car, and the family then extracts a settlement payment from the unnerved driver. But when the young boy proves himself something of a virtuoso at perpetrating the aforementioned scam, a nation-spanning road trip to profit off of Toshio’s gifts turns into an increasingly tense flight from the cops. A comic moral tale based on a true story and chock-full of formal ideas, Boy counts among Oshima’s signature works. An NYFF7 Main Slate selection.

I haven’t seen this film, but I chose it for the love of Oshima and it’s a rare opportunity to see it on the big screen.

This selection complements Imamura’s A Man Vanishes and Kiarostami’s Homework, both of which play with the concept of reality in cinema and in life. —Apichatpong Weerasethakul

Boy
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