Century of Birthing
In this interrogation of faith confronted by disaster, a tortured filmmaker (modeled after Diaz) struggles to finish his magnum opus, crossing paths with a cult leader, an investigative photographer, and a philosophical poet.
Respected independent filmmaker Homer (Perry Dizon), whose intuitive, even tortured, creative process is self-deprecatingly modeled on Diaz’s own, endeavors to finish a magnum opus years in the making (Diaz’s still-unfinished Woman of Wind). Homer’s story dovetails with that of Father Turbico (Joel Torre), a vain and shallow cult leader; an investigative photographer documenting the cult’s rituals (Roeder Camanag); a poet who engages Homer in philosophical discussions (Betty Uy-Regala); and Sister Angela (Angel Aquino), a cult member whose religious conviction contrasts with Father Turbico’s autocratic madness. An interrogation of faith confronted by disaster, Diaz’s layered narrative further develops career-spanning themes of alienation and cinema’s revolutionary potential with a sharp, satirical wit.





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The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.
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This week we’re excited to present a conversation from the 63rd New York Film Festival with Rose of Nevada director Mark Jenkin and actress Mary Woodvine.
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Exploring conspiracy across Hollywood genres, from espionage and sci-fi to superhero cinema, political biography, Shakespearean adaptation, crime drama, cult psychodrama, and the modern action blockbuster, the series includes the first New York City theatrical screening of Tim Burton’s Batman on 70mm since its original release in 1989.


