
Certified Copy
A Close-up of Abbas Kiarostami
February 8 - 17, 2013
An antiques dealer (Juliette Binoche) and a philosopher (William Shimell) may—or may not—be meeting for the first time in Abbas Kiarostami’s stimulating and provocative relationship drama.
On paper, Abbas Kiarostami’s return to narrative filmmaking after a decade of experimental video projects seems a risky proposition: a French production, filmed on location in Tuscany, with a European cast speaking in a mixture of English, French, and Italian. But in fact, this close-up study of a relationship is a dazzling return to form. An antiques dealer (Juliette Binoche) and a philosopher (British opera star William Shimell) appear to meet for the first time following one of his lectures, but soon we begin to suspect that there is more to this couple than meets the eye. Are they in fact husband and wife engaging in an elaborate charade? Or is Kiarostami showing us the beginning, middle, and end of a marriage in something other than chronological order? Nimbly juggling reality with cinematic illusion, and anchored by Binoche’s emotionally naked performance (Best Actress, Cannes), Certified Copy is a stimulating and provocative Kiarostami coup.
Read More
Scary Movies XIV Brings Horror and Genre-bending Cinema to Film at Lincoln Center, August 12–20
Running August 12 through August 20, the 16-film festival will premiere new works alongside special presentations of spine-tingling classics and rediscoveries conjured from the dark recesses of midnight-movie lore, with filmmakers and special guests appearing for post-screening Q&As.
Lana Daher on Her Documentary Do You Love Me
This week we’re excited to present a conversation from the 2026 edition of New Directors/New Films with Do You Love Me director Lana Daher.
Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.


