Chained Girls: Sensationalism, Pulp, and Mid-Century Queer History

What visions of lesbian and gay life do films like Joseph Mawra’s Chained Girls, from 1965, offer to us today, and how do they fit into a retrospective survey of LGBTQ films from the past century? Combining clips from a variety of oddball and orphan sources, this presentation by Amy Villarejo looks into the recesses and margins of film history for hidden traces of our queer past.

RUNTIME
60 minutes

Tabloid, pulp, and sensational films documented queer lives in the mid-20th century, offering a fascinating glimpse into the world of the clandestine and the closet, revisited recently by Todd Haynes in Carol. What visions of lesbian and gay life do films like Joseph P. Mawra’s 1965 Chained Girls offer to us today, and how do they fit into a retrospective survey of LGBTQ films from the past century? Combining clips from a variety of oddball and orphan sources, this presentation looks into the recesses and margins of film history for hidden traces of our queer past.

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Running August 12 through August 20, the 16-film festival will premiere new works alongside special presentations of spine-tingling classics and rediscoveries conjured from the dark recesses of midnight-movie lore, with filmmakers and special guests appearing for post-screening Q&As. 

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On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.

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