
Days of Eclipse
The Strugatsky Brothers’s Billion Years Before the End of the World receives a typically visionary and mystical treatment in Sokurov’s chronicle of a young, worn-out doctor adrift in remote Central Asia. Said to be Sokurov’s response to Tarkovsky.
The Strugatsky Brothers’ Billion Years Before the End of the World gets a visionary treatment in Sokurov’s moody chronicle of a disillusioned doctor posted to a remote Central Asian village. As the doctor attempts to conduct his research project, a mysterious persecution begins, and a boy appears on his doorstep. Sokurov’s enigmatic story fashions its science-fiction source—the Strugatskys also wrote the source novel behind Tarkovsky’s Stalker—into an existential study while interspersing ethnographic footage from the area. Alexei Ananishnov, the picture of strapping handsome youth, plays the doctor. Featuring an extraordinary, multilayered score using traditional elements and an original score by Yuri Khanon.
“In Leningrad, there is a young director, a cinematic genius. His name is Aleksandr Sokurov.” —Andrei Tarkovsky





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The New York Asian Film Festival (NYAFF) and Film at Lincoln Center today unveil the second wave of programming for its landmark 25th edition, adding more than 40 films to an already wide-ranging lineup, with very special final titles still to come.
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This week we’re excited to present a conversation from the 63rd New York Film Festival with Rose of Nevada director Mark Jenkin and actress Mary Woodvine.
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Exploring conspiracy across Hollywood genres, from espionage and sci-fi to superhero cinema, political biography, Shakespearean adaptation, crime drama, cult psychodrama, and the modern action blockbuster, the series includes the first New York City theatrical screening of Tim Burton’s Batman on 70mm since its original release in 1989.


