
Dead Slow Ahead
Art of the Real 2016
April 8 - 21, 2016
Winner of the Special Jury prize at Locarno 2015, Mauro Herce’s exquisitely shot, surreal journey of a freighter from Ukraine to New Orleans doubles as a piercing insight into global capitalism.
Winner of the Special Jury prize at Locarno 2015, Mauro Herce’s slow epic transforms a commercial freighter and the landscapes it traverses into a truly surreal experience. Tracing the ship’s journey from Ukraine and New Orleans, time eventually decelerates to the point of abstraction, the sound of its machinery creating an otherworldly atmosphere. The immaculate, solitary visuals—which have the power to distort sights as familiar as a sunrise—demand to be seen inside a theater. More incredibly still, Herce manages to deliver slices of the Filipino crew’s lives—and then effortlessly transition back to the alien.





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On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


