Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
New York Jewish Film Festival 2015
January 14 - December 29, 2015
Introduction by Jennie Livingston
Stanley Kubrick’s brilliant satire is a provocative black comedy that remains unmatched as a doomsday fantasy of Cold War politics, an unhinged response to the apocalyptic fears of the 1960s.
Introduction by Jennie Livingston
Producer/director Stanley Kubrick’s brilliant satire is a provocative black comedy that remains unmatched as a doomsday fantasy of Cold War politics. Built around an inadvertent preemptive nuclear attack and featuring never-funnier turns by Peter Sellers, James Earl Jones, George C. Scott, and the unstoppable Slim Pickens, this landmark film was an intelligent, biting, and unhinged Monty Python–esque response to the apocalyptic fears of the 1960s.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.
