
Foremost by Night
New Directors/New Films 2024
April 3 - 14, 2024
Spanish artist and curator Víctor Iriarte’s debut feature unfolds across four epistolary chapters, following middle-aged Vera (Lola Dueñas) as she emerges from a years-long search for the biological son whom she gave up for adoption at birth.
Spanish artist and curator Víctor Iriarte’s debut feature unfolds across four epistolary chapters, following middle-aged Vera (Lola Dueñas) as she emerges from a years-long search for the biological son whom she gave up for adoption at birth, and whose identity and whereabouts were rendered all but untraceable by a callously negligent bureaucracy. When Vera’s letters reach teenaged Egoz (Manuel Egozkue) and his adoptive mother Cora (Ana Torrent), the three of them converge on the banks of Portugal’s Douro River for a long-delayed reunion—and a shared reckoning with the intimate legacies of Spain’s political history. Deceptively airy and noir-inflected, Iriarte’s unhurried, methodical gaze lingers over bodies and structures, interpolating velvety 16mm compositions with tactile close-ups of maps, floor plans, and microfiche newspaper clippings to evoke the textural and symbolic traces of a family discovering itself.



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On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


