
Frenzy
Scary Movies 9
October 30 - November 5, 2015
More graphic than Psycho following the relaxed censorship of the ’70s, Hitchcock returned to England to have morbid fun with a cast of character actors and the story of a sex killer at large, deploying his iconic The Wrong Man plot last time one last time.
More graphic than Psycho following the relaxed censorship in the ’70s, this typically English and terrifying story of a sex killer at large, written by Anthony Shaffer (screenwriter of Sleuth and The Wicker Man), deploys Hitchcock’s The Wrong Man plot structure one last time. Jon Finch (Polanski’s Macbeth) plays the disaffected bartender and ex-RAF pilot suspected by the police of being the “Necktie Killer” after his ex-wife is murdered. In truth, the killer is his cheerful Cockney friend, fruit-merchant Bob Rusk, unforgettably played by Barry Foster (after a disgusted Michael Caine turned down the role). Hitchcock has great, morbid fun with a cast of English character actors—Billie Whitelaw, Alec McCowan, Anna Massey, Bernard Cribbins, Jean Marsh, Vivien Merchant, and Michael Bates—and takes particularly dark pleasure in using London’s Covent Garden Market, the filmmaker’s childhood haunt where his greengrocer father worked, as ground zero for the murders.
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Rose of Nevada Director Mark Jenkin on His New Sci-Fi Tinged Tale
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Rose of Nevada director Mark Jenkin discusses his sci-fi-tinged tale of dislocation and regeneration.
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.


