Ghost Line and Other Celluloid Antics
Dance on Camera 2015
January 30 - February 3, 2015
Followed by a discussion with Shona Masarin and Cori Olinghouse moderated by Jon Gartenberg, film archivist and experimental-film distributor.
This unique program features the world premiere of Shona Masarin and Cori Olinghouse’s new experimental dance short Ghost Line (USA, 2013, DCP, 15m) alongside films that illustrate Ghost Line's affinity with cinema's past: two early Buster Keaton shorts, The Playhouse and Back Stage, Hans Richter's Ghosts Before Breakfast, and James Broughton's Four in the Afternoon.
Followed by a discussion with Shona Masarin and Cori Olinghouse moderated by Jon Gartenberg, film archivist and experimental-film distributor.
A program that features the world premiere of Shona Masarin and Cori Olinghouse’s new experimental dance short Ghost Line (USA, 2013, DCP, 15m), which merges the rhythmic and comedic timings of silent film and vaudeville with the absurdist impulses of Dada and Surrealism in a kinetic spectacle of light and shadow. This 78-minute program will also include films that illustrate Ghost Line’s affinity with cinema’s past: two early Buster Keaton shorts, The Playhouse (USA, 1921, 35mm, 20m) and Back Stage (USA, 1919, 35mm, 19m); Hans Richter’s Ghosts Before Breakfast (Germany, 1928, digital projection, 9m); and James Broughton’s Four in the Afternoon (USA, 1951, 16mm, 15m). This program will be moderated by former MoMA curator Jon Gartenberg of Gartenberg Media, a film archivist, distributor, and programmer with a special interest in silent and experimental film and film preservation.
Ghost Line and Other Celluloid Antics
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