Haruhara-san’s Recorder
59th New York Film Festival
September 24 - October 10, 2021
Kyoshi Sugita creates an evocative portrait of a young woman’s interior world through impressionistic action rather than psychology, fixing his patient camera on meetings with friends, family, and strangers, lunches and teatime, and occurrences both mundane and mystical.
Q&As with Kyoshi Sugita on Sept. 28 & 29
Kyoshi Sugita creates an evocative portrait of a young woman’s interior world through impressionistic action rather than psychology. Though we learn little about her, the central character, played by Chika Araki, is marvelously present: she rents an apartment on her own, gets a job in a café, and begins to find peace after a recent tragic event. Fixing his patient camera on meetings with friends, family, and strangers, lunches and teatime, and occurrences both mundane and mystical, Sugita alights upon surprising, inexplicable, and frequently moving moments that hint at the spiritual in everyday life. Adapted from a tanka (a short poem) by Naoko Higashi, Sugita’s film, which won the Grand Prize at FIDMarseille, employs the cinematic form to express the otherwise inexpressible.
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