High School

Frederick Wiseman

Filmed at a large urban high school in Philadelphia, High School documents how the school system not only exists to pass on “facts” but also transmits social values from one generation to another.

DIRECTOR
Frederick Wiseman
YEAR
1968
COUNTRY
U.S.
RUNTIME
74 minutes

Filmed at a large urban high school in Philadelphia, High School documents how the school system not only exists to pass on “facts” but also transmits social values from one generation to another. High School presents a series of formal and informal encounters between teachers, students, parents, and administrators through which the ideology and values of the school emerge. An NYFF7 selection. 

“Seeing High School for the first time was one of those formative movie-watching experiences that I’ll never shake. For years after first seeing it, I resolved to put a 16mm camera on my shoulder, go out into the world, and just film what I saw. For me, the purity of Wiseman’s approach was cinema at its highest—the true fulfillment of Lumiere’s promise. Of course, the genius of Wiseman’s films has a lot to do with how constructed they are. They simulate raw life, but, like life, they’re as packed with detail and as dense with narrative as any novel. 

High School is a portrait of a particular high school in a particular American town, but it’s also about Vietnam, about the process by which a society slowly turns its youth into cogs for the machine, into cannon fodder. At the same time, the film can’t be reduced to a thesis. Its details are just too stubbornly vivid—the faces of the kids, a stray instance of kindness from a teacher, the echoes in the hallways, the feeling of the b&w 16mm. At the end, what you have are the images, the sounds, the moments—cinema.
Wiseman’s films find the macro in the micro, such that the face of an elderly man in Hospital or a formation of bodies in Basic Training wind up speaking to an entire country, a moment in time, a way of life. Put together, from Titicut Follies through Welfare and Boxing Gym all the way to City Hall and Menus-Plaisirs, Wiseman’s films constitute a kind of Human Comedy for cinema, and for me the greatest portrait of society (American for the most part, with a few forays to Europe) that the movies have ever produced.” – Damien Chazelle
High School
High School
High School
High School

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