This modernist masterwork began as a documentary commission from Daiei Studios, secured for Alain Resnais by producer Anatole Dauman. Resnais decided that the bombing of Hiroshima and its impact needed fiction, brought Marguerite Duras onto the project, and worked with her to create a story—of a French film actress (Amour Oscar-nominated Emmanuelle Riva) who goes to Hiroshima to make a film and has an affair with a Japanese architect (Eiji Okada)—that would exist “in two tenses… the present and the past coexist.” Few films have had such a lasting, wide-ranging impact. Hiroshima, mon amour is a devastating experience on every level: visually, sonically, emotionally, intellectually. Thanks to a new 4K restoration, it can now be seen and heard, once again, in its full glory. Restoration by Argos Films, Fondation Groupama Gan, Fondation Technicolor, and Cineteca Bologna, with support from the CNC. A Rialto Pictures release.

After NYFF, Hiroshima Mon Amour will return to the Film Society of Lincoln Center on October 17 for a theatrical run.