I Don’t Belong Anywhere: The Cinema of Chantal Akerman
From Brussels to Tel Aviv, Paris to New York, the late experimental filmmaker Chantal Akerman traced a worldwide path of rugged avant-garde and political art. The new documentary I Don’t Belong Anywhere: The Cinema of Chantal Akerman dives into the 40-film oeuvre of the Jewish Belgian pioneer.
From Brussels to Tel Aviv, Paris to New York, the late experimental filmmaker Chantal Akerman traced a worldwide path of rugged avant-garde and political art. Her celebrated 1975 film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles was declared by The New York Times upon its release as the “first masterpiece of the feminine in the history of the cinema.” Now, the documentary I Don’t Belong Anywhere: The Cinema of Chantal Akerman dives into the 40-film oeuvre of the Jewish Belgian pioneer.
Chantal Akerman’s 2004 comedy Tomorrow We Move screens in the New York Jewish Film Festival on Jan. 20 at 8:30pm.
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Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
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