
Identification of a Woman
One of Antonioni’s most underrated and personal films, this late-career masterpiece about a missing woman recalls L’avventura but with a new carnal energy and a sharpness of feeling granted by Di Palma’s precise camera movements.
Not merely one of Antonioni’s most underrated masterworks, Identification of a Woman also ranks among the modernist maestro’s most enigmatic and personal films. When an Italian filmmaker (Tomas Milian) is left by his wife, he enters into a passionate, obsessive romance with a younger woman (Daniela Silverio). Shortly after they encounter an impenetrable fog together while en route to his country house, she vanishes without a trace. He then meets a beautiful actress (Christine Boisson), who takes an interest in the whereabouts of the missing woman… Recalling the existential mysteries of Antonioni’s L’avventura and the foreboding mise en scène of Red Desert, the more carnal Identification of a Woman is granted an enticing sharpness of feeling by John Foxx’s synth-y score and Carlo Di Palma’s typically precise camera movements. 35mm print courtesy of Cineteca Nazionale.
Read More
Kamal Aljafari on With Hasan in Gaza and ‘The Camera of the Dispossessed’
Our 63rd New York Film Festival Talks featured a special conversation with With Hasan in Gaza director Kamal Aljafari, moderated by Film Comment editor Devika Girish.
Lucrecia Martel on Our Land (Nuestra Tierra), the Filmmaker’s First Feature Documentary
On the latest episode of FLC Luminaries, our video series that spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, Our Land (Nuestra Tierra) director Lucrecia Martel discusses her expansive and enlightening first feature documentary.
Carla Simón on Her Poignantly Autobiographical Romería
This week we’re excited to present a conversation from the 63rd New York Film Festival with Romería director Carla Simón, moderated by NYFF Main Slate selection committee member Florence Almozini.


