
Intore + Some Bright Morning
New York African Film Festival 2016
May 4 - 10, 2016
Intore (Eric Kabera, 64m) offers a rare and powerful look at how Rwanda survived a tragic past by regaining its identity through music, dance, and the resilience of a new generation. What role can the creative arts play in rebuilding a country after genocide? Screening with Some Bright Morning: The Art of Melvin Edwards (Lydie Diakhaté, 51m).
Intore / The Chosen
Eric Kabera, Rwanda, 2014, 64m
Intore offers a rare and powerful look at how Rwanda survived a tragic past by regaining its identity via music, dance, and the resilience of a new generation. It’s a story of triumph and a lesson in how to forgive and live, told through the eyes of a mother whose grief provides hope; an artist, who chooses to forgive rather than seek revenge; a maestro, who brings together the National Ballet with an incredible touch of genius; and a young man, whose determination and hard work has given the Rwandan culture a new dimension of identity and celebration. These characters and others show viewers how a nation rose above the ashes of a horrific 1994 genocide to become a world model of post-conflict peace and unity. Featuring performances from Rwanda’s top traditional and commercial artists in music and dance, interwoven with poignant interviews with genocide survivors and perpetrators who sit side by side, Rwandan leaders, and the Hollywood elite.
Some Bright Morning: The Art of Melvin Edwards
Lydie Diakhaté, USA/France, 2016, 51m
Born in the American South of the late ’30s during segregation, Melvin Edwards is now a world-recognized sculptor. As a black internationalist, Pan-Africanist, and one of the major Modernist innovators in the New York art scene from the days of Abstract Expressionism up through the current Conceptual wave, Edwards is one of the few African-Americans who has a particular strong connection with Africa beyond his origins. Lydie Diakhaté’s film reveals how in Edwards’s work, the global black initiative operates like a vital lifeline in his artistic expression and how exploring different techniques of welding and engaging his cultural and political values he established his own artistic language across five decades.
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