Update: Bruno Dumont is no longer able to attend the Q&A on March 11. See more details here.

Ten-year-old Lise Leplat Prudhomme commands the center of Bruno Dumont’s inventive reimagining of the story of Joan of Arc, a sequel to Dumont’s musical Jeannette: The Childhood of Joan of Arc (2017) that’s singular and entrancing enough to stand on its own. Joan, compelled by visions of God, leads the French charge against invading English forces, and is later captured and put on trial for heresy. Although this chapter is cinematically well-trod, Dumont turns it into an uncanny, absurdist mood piece, strikingly shot amid rolling hills and vaulted cathedrals. As legendary singer-songwriter Christophe’s synthesizers slice through the droll stillness, Joan comes into her own, gaining a gravitas that makes her a force to be reckoned with. As always, Dumont proves his mastery with this enthralling, witty, and deeply rewarding work. A KimStim release.